Tradition and Creativity in Korean Taegum Flute Performance

Introduction

Learner's Position

Performer's Position

History and Background of the Taegum

History of the Taegum

Court and Folk Taegum

Notations for the Taegum

The Contemporary Practices of the Taegum

Nationalism and Orientalism

Orientalism and Korean Traditional Music

Nationalism and Korean Traditional music

Music Analysis I: Youngdong Kim

'Son: Zen'

'Manp'a shik chok'

Music Analysis II: Sukhi Kang

'Manp'a'

Music Analysis III: Sngkn Kim

'Sujech'on'

'Taegum Quartet 2006'

Performance I: Jazz

The History of Korean Jazz

Collaboration with Simon Barker

Performance II: Western Art Music

Composer, Dae-seong Kim

Universal Gestures in Nongum

Performance III: Electroacoustics

Improvisation

The Sori Art Project

'Pojagi'

Conclusion

Interviews

Bibliography

Chronicles/Annals

Discography

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• Artes: temas gerais
• Aprendizagem
• Música: estilos e gêneros
• Instrumentos de sôpro

Korean Traditional Music;Korean Music;Korean Traditional;Court Music;Korean Court Music;Seoul National University;Korean Composers;National Gugak Center;Samguk Yusa;Samguk Sagi;KBS;King Munmu;Flute;Transverse Flute;Kim Kisu;Flute Orchestra;Staff Notation;Solo Flute;Buddhist Chants;Keynote Sound;Korean Rhythms;Simon Barker;Seoul Records;European Art Music;Cadence Tone