Studying Congregational Music

Studying Congregational Music

Key Issues, Methods, and Theoretical Perspectives

Ingalls, Monique M.; Mall, Andrew; Engelhardt, Jeffers

Taylor & Francis Ltd

02/2021

296

Dura

Inglês

9781138588875

15 a 20 dias

530

Descrição não disponível.
Introduction: Studying Congregational Music-Andrew Mall, Jeffers Engelhardt, and Monique M. Ingalls; Part I: Methodological Perspectives; 1 In Case You Don't Have a Case: Reflections on Methods for Studying Congregational Song in Liturgical History-Lester Ruth; 2 Worshipping "With Everything": Musical Analysis and Congregational Worship-Joshua Kalin Busman; 3 Mediating Religious Experience? Congregational Music and the Digital Music Interface-Anna E. Nekola; 4 Ethnography in the Study of Congregational Music-Jeff Todd Titon; 5 Re-Sounding the History of Christian Congregational Music-Sarah Eyerly; 6 Music Theology as the Mouthpiece of Science: Proving it through Congregational Music Studies-Bennett Zon; Part II: Key Issues; 7 Political Economy and Capital in Congregational Music Studies: Commodities, Worshipers, and Worship-Andrew Mall; 8 Congregation and Chorality: Fluidity and Distinction in the Voicing of Religious Community-Jeffers Engelhardt; 9 "We Just Don't Have It": Addressing Whiteness in Congregational Voicing-Marissa Glynias Moore; 10 Researching Black Congregational Music from a Migratory Point of View: Methods, Challenges, and Strategies-Melvin L. Butler; 11 Studying Byzantine Ukrainian Congregational Music in Canada: Considering Community and Diaspora-Marcia Ostashewski; 12 Congregational Singing and Practices of Gender in Christian Worship: Exploring Intersections-Teresa Berger; 13 Searching for a Metaphor: What is the Role of the Shaliach/Shalichat Tzibur (Leader of Prayer)?-Jeffrey A. Summit; 14 Ecclesioscapes: Interpreting Gatherings around Christian Music in and outside the Church through the Dutch Case of the "Sing Along Matthaeuspassion"-Mirella Klomp
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Congregational Music;Studying Congregational Music;Christian Congregational Music;Jeffers Engelhardt;Vice Versa;Andrew Mall;Congregational Music Making;Monique M. Ingalls;Contemporary Worship Music;Congregational Music Studies;Worship Leaders;Religious Studies;Congregational Singing;Music;Worship Songs;Religion;Worship Music;Congregation;African American Gospel Music;Ethnomusicology;Christian Copyright Licensing International;Musicology;Music Theology;Worship;EDM;Church;Christian Music;Song;Liturgical Singing;Materiality;Congregational Songs;Ethnography;Religious Congregations;Liturgical;Moravian Community;Liturgy;Passion Conference;Semiotics;Contemporary Gender Theory;Diaspora;Worship Experiences;Spiritual;Soundscape Compositions;Choral;Observant Participation;Hymn;Liturgical Historians;digital music technologies;Black Sacred Music;congregational music-making;ethnomusicological methodologies;epistemic diversity