Music in Action Film

Table of Contents

Series Foreword

Neil Lerner

List of Contributors

Preface: Sounds Like Action!

James Buhler and Mark Durrand

Part I: Action Scored: Politics, Representation, and Identity

Favela Chic in Action

Soundtracking Urban Violence in Rio de Janeiro, Brazil

K.E. Goldschmitt

"You're Not Gonna Get Mushy on Me, Are You?"

Music and the New Man in 1990s Hollywood Action Film

Rebecca Fueloep

"I Am No Lady When I Fight!"

Gender Politics in the Postwar Swashbuckler Score

Grace Edgar

Reviving the Swordplay Action Film

Nature, Technology, and the Soundtrack for Seven Samurai

Brooke McCorkle Okazaki

Conan the Neoliberal?

The Sounds of Hypermasculine Entrepreneurship

in Early Reaganite Film

James Deaville

Part II: Action Scores: Evolving Musical Conventions

Underscoring Chased Heroes and Robbing Villains

Music of Immediacy in New Hollywood Action Thrillers

of the late 1960s and 1970s

Michael Baumgartner

John Williams's Action Music in the Twenty-First Century

Frank Lehman

"There and Back Again"

Music and Generic Transformation in Peter Jackson's Hobbit Films

Stephen C. Meyer

Star Trek as Action Film

Reimagining The Original Series' Soundscape

Paul Sommerfeld

A Tale of Two Cinemas:

Zashchitniki (Guardians, 2017) and

Music for the New Russian Superhero Film

Joan Titus

Part III: Scoring Action: The Kinesthetic Experience and Production

"Those Who Dance"

Popular Music, Audiovisual Editing, and Meaning across

the Guardians of the Galaxy Franchise

Catrin Watts

Toward a Musical Understanding of Cinematic Action:

Two Experiments with Embodiment and Musical Vitality

in Film Experience

Mark Durrand

Sound-Induced Visual Illusion in Film

Sarah Louden

"Humming the Foley, Singing the Sound"

Designing Sound with a Musical Perspective

Vanessa Theme Ament

Music, Digital Audio, Labor:

Notes on Audio and Music Production

for the Contemporary Action Film

James Buhler

Index

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• Música
• Estudos de meios de comunicação
• Música: estilos e gêneros
• Teoria e crítica de filmes

Young Men;film music;Contemporary Action Film;music and film;Author's Transcription;action film;Action Set Pieces;soundtrack;Captain Blood;film studies;Jurassic Park;action movies;Hobbit Films;movie music;Audiovisual Editing;music and cinema;Hobbit Trilogy;cinema studies;Star Trek;Cinematic expression;Mouth Harp;Rings Films;Neoliberalism;Suspense Thriller;Sound design;Peter's Ship;Musical conventions;Temporal Co-occurrence;MSI;Favela Residents;Cinematic Trilogies;Cinematic Gestures;Unexpected Journey;Multisensory Neurons;Tropa De Elite;Original Series;Scoring Paradigm;Female Love Interest