Operatic Migrations
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portes grátis
Operatic Migrations
Transforming Works and Crossing Boundaries
Thomas, DowningA.
Taylor & Francis Ltd
11/2016
296
Mole
Inglês
9781138254985
15 a 20 dias
453
Descrição não disponível.
Contents: Introduction: Migrations and transformations, Roberta Montemorra Marvin; Venice: cradle of (operatic) convention, Ellen Rosand; 'Je vous repondrez au troisieme couplet': 18th-century opera comique and the demands of speech, Downing A. Thomas; From the Comedie-FranA?aise to the Opera: Figaro at the crossroads, Tili Boon Cuille; Ideological noises: opera criticism in early 18th-century France, Charles Dill; Transformations on stage only: Anfossi's Circe in Weimar, Waltraud Maierhofer; Roman republicanism and operatic heroines in Napoleonic Italy: Tarchi's La congiura pisoniana and Cimarosa's Gli Orazi e i Curiazi, Robert C. Ketterer; Ghostly voices: 'Gothic Opera' and the failure of Gounod's La Nonne sanglante, Anne Williams; Mozart productions and the emergence of Werktreue at London's Italian Opera House, 1780-1830, Rachel Cowgill; The mirror of art and scenes of recognition: Wagner and Mann, Grace Kehler; Burlesques, barriers, borders, and boundaries, Roberta Montemorra Marvin; Local color: the representation of race in Carmen and Carmen Jones, Robert L.A. Clark; Operatic school for scandal, David J. Levin; Why (what? How? If?) opera studies?, Herbert Lindenberger; Epilog, Downing A. Thomas; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
La Nonne Sanglante;seria;Welt Als Wille Und Vorstellung;Roberta Montemorra Marvin;Oper Und Drama;Ellen Rosand;Descending Tetrachord Ostinato;Downing A. Thomas;Voi Che Sapete;Tili Boon Cuille;Gli Orazi;Charles Dill;Eighteenth Century French Culture;Waltraud Maierhofer;La Fausse Magie;Robert C. Ketterer;Act Iii;Anne Williams;Mozart's Singspiel;Rachel Cowgill;Royale De Musique;Grace Kehler;Young Man;Robert L.A. Clark;Canadian Opera Company;David J. Levin;Teatro La Fenice;Herbert Lindenberger;Vice Versa;Seventeenth Century Venice;Napoleonic Italy;Bleeding Nun;Operatic Burlesques;King's Theatre;Fan Tutte;Denyce Graves;Venetian Opera;Home Town;Opera Studies
Contents: Introduction: Migrations and transformations, Roberta Montemorra Marvin; Venice: cradle of (operatic) convention, Ellen Rosand; 'Je vous repondrez au troisieme couplet': 18th-century opera comique and the demands of speech, Downing A. Thomas; From the Comedie-FranA?aise to the Opera: Figaro at the crossroads, Tili Boon Cuille; Ideological noises: opera criticism in early 18th-century France, Charles Dill; Transformations on stage only: Anfossi's Circe in Weimar, Waltraud Maierhofer; Roman republicanism and operatic heroines in Napoleonic Italy: Tarchi's La congiura pisoniana and Cimarosa's Gli Orazi e i Curiazi, Robert C. Ketterer; Ghostly voices: 'Gothic Opera' and the failure of Gounod's La Nonne sanglante, Anne Williams; Mozart productions and the emergence of Werktreue at London's Italian Opera House, 1780-1830, Rachel Cowgill; The mirror of art and scenes of recognition: Wagner and Mann, Grace Kehler; Burlesques, barriers, borders, and boundaries, Roberta Montemorra Marvin; Local color: the representation of race in Carmen and Carmen Jones, Robert L.A. Clark; Operatic school for scandal, David J. Levin; Why (what? How? If?) opera studies?, Herbert Lindenberger; Epilog, Downing A. Thomas; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
La Nonne Sanglante;seria;Welt Als Wille Und Vorstellung;Roberta Montemorra Marvin;Oper Und Drama;Ellen Rosand;Descending Tetrachord Ostinato;Downing A. Thomas;Voi Che Sapete;Tili Boon Cuille;Gli Orazi;Charles Dill;Eighteenth Century French Culture;Waltraud Maierhofer;La Fausse Magie;Robert C. Ketterer;Act Iii;Anne Williams;Mozart's Singspiel;Rachel Cowgill;Royale De Musique;Grace Kehler;Young Man;Robert L.A. Clark;Canadian Opera Company;David J. Levin;Teatro La Fenice;Herbert Lindenberger;Vice Versa;Seventeenth Century Venice;Napoleonic Italy;Bleeding Nun;Operatic Burlesques;King's Theatre;Fan Tutte;Denyce Graves;Venetian Opera;Home Town;Opera Studies
