Vincenzo Bellini and the Aesthetics of Early Nineteenth-Century Italian Opera

1. Introduction 2. The Aesthetic Roots of Italian Opera in the Early Nineteenth Century 3. The Role of the Singer on the Stage 4. Poetry and Drama in the Libretto 5. The Constitution of the Orchestra and its Place in the Melodramma 6. The Heritage of the Bel Canto; Bibliography; Index

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• Compositores e músicos individuais, bandas e grupos específicos
• Ópera
• Música clássica (desde ~1750 até ~1830)

La Straniera;Bel Canto;Italian History;Italian Opera;Italian Music;Della;Music History;La Sonnambula;Nineteenth-Century;Neapolitan Tradition;Opera;Il Pirata;Early Nineteenth Century Opera;Beethoven's Instrumental Music;Friedrich Lippmann;Zenith;Primo Violino;Neapolitan Conservatories;Teatro Della Pergola;Casta Diva;Enciclopedia Dello Spettacolo;Vocal Score;Romani's Text;Bellini's Operas;Stabat Mater;Bass Line;Neapolitan School;Domenico Barbaja;Pierluigi Petrobelli;Lucia Di Lammermoor