Medievalism and Nationalism in German Opera
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portes grátis
Medievalism and Nationalism in German Opera
Euryanthe to Lohengrin
Richardson, Michael S.
Taylor & Francis Ltd
11/2020
186
Dura
Inglês
9781138630543
15 a 20 dias
453
Descrição não disponível.
Chapter 1: German Opera, the Rediscovery of the Middle Ages, and the Building of a
Chapter 2: Medieval Song I: Diegetic Portrayals of Minnesang in Weber's Euryanthe and Wagner's
Chapter 3: Medieval Song II: Folk Song and the Lied in Schubert's Fierrabras
Chapter 4: Christianity: Church Music as a Signifier of "Pastness" in Schumann's Genoveva
Chapter 5: Chivalry: Masculinity and Nation in Marschner's Der Templer und die Juedin and Wagner's
Chapter 6: The Drive Toward Unification, Die Meistersinger von Nuernberg, and Modern
Chapter 2: Medieval Song I: Diegetic Portrayals of Minnesang in Weber's Euryanthe and Wagner's
Chapter 3: Medieval Song II: Folk Song and the Lied in Schubert's Fierrabras
Chapter 4: Christianity: Church Music as a Signifier of "Pastness" in Schumann's Genoveva
Chapter 5: Chivalry: Masculinity and Nation in Marschner's Der Templer und die Juedin and Wagner's
Chapter 6: The Drive Toward Unification, Die Meistersinger von Nuernberg, and Modern
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Act Iii;Medievalism;Act Ii Scene;Nationalism;Medieval Song;Opera;Vice Versa;Operetta;Weber's Euryanthe;German Opera;Lohengrin;Nineteenth Century German;Musical medievalism;Wagner's Lohengrin;Weber's Euryanthe;Church Music Style;German nationalism;Die Meistersinger Von;German opera composers;Repeating Note Figures;Perfect Authentic Cadence;Walther Von Stolzing;Medieval Music;Cologne Cathedral;Sixteenth Century Nuremberg;Harmonic Move;Der Kreuzzug;Stabat Mater;National Library;Neue Berliner Musikzeitung;Reciting Tone;Church Music Reform;Folk Tone;Da La
Chapter 1: German Opera, the Rediscovery of the Middle Ages, and the Building of a
Chapter 2: Medieval Song I: Diegetic Portrayals of Minnesang in Weber's Euryanthe and Wagner's
Chapter 3: Medieval Song II: Folk Song and the Lied in Schubert's Fierrabras
Chapter 4: Christianity: Church Music as a Signifier of "Pastness" in Schumann's Genoveva
Chapter 5: Chivalry: Masculinity and Nation in Marschner's Der Templer und die Juedin and Wagner's
Chapter 6: The Drive Toward Unification, Die Meistersinger von Nuernberg, and Modern
Chapter 2: Medieval Song I: Diegetic Portrayals of Minnesang in Weber's Euryanthe and Wagner's
Chapter 3: Medieval Song II: Folk Song and the Lied in Schubert's Fierrabras
Chapter 4: Christianity: Church Music as a Signifier of "Pastness" in Schumann's Genoveva
Chapter 5: Chivalry: Masculinity and Nation in Marschner's Der Templer und die Juedin and Wagner's
Chapter 6: The Drive Toward Unification, Die Meistersinger von Nuernberg, and Modern
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Act Iii;Medievalism;Act Ii Scene;Nationalism;Medieval Song;Opera;Vice Versa;Operetta;Weber's Euryanthe;German Opera;Lohengrin;Nineteenth Century German;Musical medievalism;Wagner's Lohengrin;Weber's Euryanthe;Church Music Style;German nationalism;Die Meistersinger Von;German opera composers;Repeating Note Figures;Perfect Authentic Cadence;Walther Von Stolzing;Medieval Music;Cologne Cathedral;Sixteenth Century Nuremberg;Harmonic Move;Der Kreuzzug;Stabat Mater;National Library;Neue Berliner Musikzeitung;Reciting Tone;Church Music Reform;Folk Tone;Da La
