Remapping Brazilian Film Culture in the Twenty-First Century
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portes grátis
Remapping Brazilian Film Culture in the Twenty-First Century
Dennison, Stephanie
Taylor & Francis Ltd
10/2019
206
Mole
Inglês
9781138119925
15 a 20 dias
453
Descrição não disponível.
Introduction
Part I
Chapter One: Making Films in Twenty-first-century Brazil
Chapter Two: Engaging With Audiences at Home and Abroad
Chapter Three: Women and Film Culture in Brazil
Chapter Four: Brazil's LGBTQ Communities and Film Culture
Chapter Five: Afro-Brazilian Filmmaking in the Twenty-first Century
Chapter Six: Screening the Indigenous Experience in Brazil
Part II
Chapter Seven: Cinema and Public Security: The Elite Squad
Phenomenon (2007-2010)
Chapter Eight: Lucia Murat's Olhar Estrangeiro (2005) and the
representation of Brazil on Foreign Screens
Chapter Nine: Hope Springs From Rubbish: Trash (2014) and the
Garbage Aesthetic
Chapter Ten: A Cordial View from Brazil's North East: Kleber Mendonca Filho's Aquarius (2016)
Epilogue
Part I
Chapter One: Making Films in Twenty-first-century Brazil
Chapter Two: Engaging With Audiences at Home and Abroad
Chapter Three: Women and Film Culture in Brazil
Chapter Four: Brazil's LGBTQ Communities and Film Culture
Chapter Five: Afro-Brazilian Filmmaking in the Twenty-first Century
Chapter Six: Screening the Indigenous Experience in Brazil
Part II
Chapter Seven: Cinema and Public Security: The Elite Squad
Phenomenon (2007-2010)
Chapter Eight: Lucia Murat's Olhar Estrangeiro (2005) and the
representation of Brazil on Foreign Screens
Chapter Nine: Hope Springs From Rubbish: Trash (2014) and the
Garbage Aesthetic
Chapter Ten: A Cordial View from Brazil's North East: Kleber Mendonca Filho's Aquarius (2016)
Epilogue
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
LGBTQ Film;Brazilian cinema;Young Men;Brazilian National Cinema;DVD Extra;Remapping World Cinemas;Pop Star;World Cinema;Duque De Caxias;The Routledge Companion to Latin American Cinema;DVD Commentary;The Routledge Companion to World Cinema;Tropa De Elite;Stephanie Dennison;Largest Scale Retrospectives;Brazil;Brazilian Film;production;Buarque De Holanda;politics;Ivana Bentes;filmmaking;Smart Phone;film studies;Tv Globo;culture;Bancada Ruralista;cinema;LGBTQ Community;audience reception;Jardim Gramacho;film festival;Tv News Report;Brazilian film industry;Vincent Carelli;diversity politics;Casa Grande;Stephen Daldry;Audio Visual Culture;Michel Temer;International Film Festival Circuit
Introduction
Part I
Chapter One: Making Films in Twenty-first-century Brazil
Chapter Two: Engaging With Audiences at Home and Abroad
Chapter Three: Women and Film Culture in Brazil
Chapter Four: Brazil's LGBTQ Communities and Film Culture
Chapter Five: Afro-Brazilian Filmmaking in the Twenty-first Century
Chapter Six: Screening the Indigenous Experience in Brazil
Part II
Chapter Seven: Cinema and Public Security: The Elite Squad
Phenomenon (2007-2010)
Chapter Eight: Lucia Murat's Olhar Estrangeiro (2005) and the
representation of Brazil on Foreign Screens
Chapter Nine: Hope Springs From Rubbish: Trash (2014) and the
Garbage Aesthetic
Chapter Ten: A Cordial View from Brazil's North East: Kleber Mendonca Filho's Aquarius (2016)
Epilogue
Part I
Chapter One: Making Films in Twenty-first-century Brazil
Chapter Two: Engaging With Audiences at Home and Abroad
Chapter Three: Women and Film Culture in Brazil
Chapter Four: Brazil's LGBTQ Communities and Film Culture
Chapter Five: Afro-Brazilian Filmmaking in the Twenty-first Century
Chapter Six: Screening the Indigenous Experience in Brazil
Part II
Chapter Seven: Cinema and Public Security: The Elite Squad
Phenomenon (2007-2010)
Chapter Eight: Lucia Murat's Olhar Estrangeiro (2005) and the
representation of Brazil on Foreign Screens
Chapter Nine: Hope Springs From Rubbish: Trash (2014) and the
Garbage Aesthetic
Chapter Ten: A Cordial View from Brazil's North East: Kleber Mendonca Filho's Aquarius (2016)
Epilogue
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
LGBTQ Film;Brazilian cinema;Young Men;Brazilian National Cinema;DVD Extra;Remapping World Cinemas;Pop Star;World Cinema;Duque De Caxias;The Routledge Companion to Latin American Cinema;DVD Commentary;The Routledge Companion to World Cinema;Tropa De Elite;Stephanie Dennison;Largest Scale Retrospectives;Brazil;Brazilian Film;production;Buarque De Holanda;politics;Ivana Bentes;filmmaking;Smart Phone;film studies;Tv Globo;culture;Bancada Ruralista;cinema;LGBTQ Community;audience reception;Jardim Gramacho;film festival;Tv News Report;Brazilian film industry;Vincent Carelli;diversity politics;Casa Grande;Stephen Daldry;Audio Visual Culture;Michel Temer;International Film Festival Circuit
