Film, Media and Representation in Postcolonial South Asia
-10%
portes grátis
Film, Media and Representation in Postcolonial South Asia
Beyond Partition
Sengupta, Roshni; Langah, Nukhbah Taj
Taylor & Francis Ltd
07/2021
222
Dura
Inglês
9781138339767
15 a 20 dias
467
Descrição não disponível.
Introduction - Moving beyond Partitions: Theorising the Academic Dialogue Part I. Soft Power: Performance, Film and Television 1. Trouble in Paradise: The Portrayal of the Kashmir Insurgency in Hindi 2. The Vale of Desire: Framing Kashmir in Vishal Bhardwaj's Haider 3. Finding Comfort in Silence? The Absence of Partition Narratives from the Contemporary Group Theatre in Kolkata 4. The Rise of the Celebrity Anchor in Pakistan's Private TV: The One Voice that Kills Other Voices Part II. Art and Visual Culture 5. Discourses on Partition through Visual Culture 6. Post-71: Photographic Ambivalences, Archives, and the Construction of a National Identity of Bangladesh 7. Speaking Soon after Catastrophe: The Partition Art of Satish Gujral and S. L. Parasher as Record, Testimony, Trauma Part III. Cyber Space, Social Media, and Digital Texts 8. Politicising the Body of the 'Other': India's Gaze at Pakistan 9. Keyboard Nations: Cyberhate and Partition Anxiety on Social Media 10. Pakistani Literary Digitalisation: "Mediascaping" Mohsin Hamid's "The (Former) General in his Labyrinth". Conclusion - Reflections: Building Bridges
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Mission Kashmir;Partition;Liberation War;media;Kashmir Insurgency;film;Hindi Cinema;soft power;Pakistani Artist;art;Basharat Peer;theatre;Digital Literary Medium;photography;Hina Rabbani Khar;subcontinent;Kashmir Conflict;digitalization;East Pakistan;television;Bangladesh;image;Private Tv;identity;Private Tv Channel;Nalini Malani;Bengali Theatre;Krishak Praja Party;Tv Anchor;Soft War;Ritwik Ghatak;Tv Journalist;Bengali Hindu;Javed Miandad;Fetishising Gaze;Homo Sacer
Introduction - Moving beyond Partitions: Theorising the Academic Dialogue Part I. Soft Power: Performance, Film and Television 1. Trouble in Paradise: The Portrayal of the Kashmir Insurgency in Hindi 2. The Vale of Desire: Framing Kashmir in Vishal Bhardwaj's Haider 3. Finding Comfort in Silence? The Absence of Partition Narratives from the Contemporary Group Theatre in Kolkata 4. The Rise of the Celebrity Anchor in Pakistan's Private TV: The One Voice that Kills Other Voices Part II. Art and Visual Culture 5. Discourses on Partition through Visual Culture 6. Post-71: Photographic Ambivalences, Archives, and the Construction of a National Identity of Bangladesh 7. Speaking Soon after Catastrophe: The Partition Art of Satish Gujral and S. L. Parasher as Record, Testimony, Trauma Part III. Cyber Space, Social Media, and Digital Texts 8. Politicising the Body of the 'Other': India's Gaze at Pakistan 9. Keyboard Nations: Cyberhate and Partition Anxiety on Social Media 10. Pakistani Literary Digitalisation: "Mediascaping" Mohsin Hamid's "The (Former) General in his Labyrinth". Conclusion - Reflections: Building Bridges
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Mission Kashmir;Partition;Liberation War;media;Kashmir Insurgency;film;Hindi Cinema;soft power;Pakistani Artist;art;Basharat Peer;theatre;Digital Literary Medium;photography;Hina Rabbani Khar;subcontinent;Kashmir Conflict;digitalization;East Pakistan;television;Bangladesh;image;Private Tv;identity;Private Tv Channel;Nalini Malani;Bengali Theatre;Krishak Praja Party;Tv Anchor;Soft War;Ritwik Ghatak;Tv Journalist;Bengali Hindu;Javed Miandad;Fetishising Gaze;Homo Sacer
