Indian Cinema Beyond Bollywood
-10%
portes grátis
Indian Cinema Beyond Bollywood
The New Independent Cinema Revolution
Devasundaram, Ashvin Immanuel
Taylor & Francis Inc
10/2018
290
Dura
Inglês
9780815368601
15 a 20 dias
544
Descrição não disponível.
Foreword: ROSIE THOMAS Introduction: New Independent Indian Cinema: Disciplinary Evolution and Cinematic Revolution ASHVIN I. DEVASUNDARAM Chapter 1: Anhey Ghorhey Da Daan: The Politics and Legacies of the New Wave Movement in Contemporary Indian Cinema ANUJA JAIN Chapter 2: From New Cinema to New Indie Cinema: The Story of NFDC and Film Bazaar SUDHA TIWARI Chapter 3: Breaking Curfew, Presenting Utopia: Vishal Bhardwaj's Haider Inside the National and International Legal Framework PRETI TANEJA Chapter 4: Queer Radiance: Margarita with a Straw, Disability and Vision AMY VILLAREJO Chapter 5: Indie Crowdfunded Narratives of Commercial Surrogacy, or the Contested Bodies of Neoliberalism: Onir's "I Am Afia" and Arpita Kumar's Sita ANA CRISTINA MENDES Chapter 6: Film Festivals as Cosmopolitan Assemblages: A Case Study in Diasporic Cocreation MONIA ACCIARI Chapter 7: Documentary as Witness; Documentary as Counter-Narrative: The Cinema of Sanjay Kak APARNA SHARMA Chapter 8: DiverCity: Independent Documentary as an Alternative Narrative of the City FAIZ ULLAH, ANJALI MONTEIRO AND K.P. JAYASANKAR Chapter 9: Zanjeer to Pink: The Trajectory of Amitabh Bachchan's Angry Young/Old Man Persona from Mainstream to Indie Cinema SWARNAVEL ESWARAN Chapter 10: Rapping in Double Time: Gandu's Subversive Time of Liberation ASHVIN IMMANUEL DEVASUNDARAM Chapter 11: Sairat's Transgressive Femininity: Quizzing Marathi Cinema AARTI WANI Chapter 12: Untold Stories, Representations and Contestations: Masaan (Crematorium) and Asha Jaoar Majhe (Labour of Love) SANGEETA DATTA Chapter 13: Haobam Paban Kumar and the Cinemas of North East India MEENAKSHI SHEDDE Chapter 14: The Subaltern Screams: Migrant Workers and the Police Station as Spatio-Carceral State of Exception in Tamil film Visaranai ASHVIN I. DEVASUNDARAM ContributorsIndex
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Tamil Nadu;Young Men;film studies;Mary Kom;cinema studies;Transnational Commercial Surrogacy;South Asian studies;Dhobi Ghat;South Asian media;Transnational Gestational Surrogacy;bollywood;Bhuvan Shome;independent film;International Humanitarian Law;world cinema;Prakash Mehra;world film;NFDC.;globalization;Hindi Film;cultural studies;Indian Indie;India;NFDC;Anuja Jain;Uski Roti;Sudha Tiwari;Independent Indian Films;Preti Taneja;Commercial Surrogacy;Amy Villarejo;Marathi Cinema;Ana Cristina Mendes;Lal Chowk;Monia Acciari;Cosmopolitan Assemblage;Aparna Sharma;Carceral Space;Faiz Ullah;Amitabh Bachchan;Anjali Monteiro;Govind Nihalani;K.P. Jayasankar;Film Festivals;Swarnavel Eswaran;Limited Theatrical Distribution;Aarti Wani;Bengali Cinema;Sangeeta Datta;Meenakshi Shedde;cinematic revolution;independent Indian cinema;New Wave Movement
Foreword: ROSIE THOMAS Introduction: New Independent Indian Cinema: Disciplinary Evolution and Cinematic Revolution ASHVIN I. DEVASUNDARAM Chapter 1: Anhey Ghorhey Da Daan: The Politics and Legacies of the New Wave Movement in Contemporary Indian Cinema ANUJA JAIN Chapter 2: From New Cinema to New Indie Cinema: The Story of NFDC and Film Bazaar SUDHA TIWARI Chapter 3: Breaking Curfew, Presenting Utopia: Vishal Bhardwaj's Haider Inside the National and International Legal Framework PRETI TANEJA Chapter 4: Queer Radiance: Margarita with a Straw, Disability and Vision AMY VILLAREJO Chapter 5: Indie Crowdfunded Narratives of Commercial Surrogacy, or the Contested Bodies of Neoliberalism: Onir's "I Am Afia" and Arpita Kumar's Sita ANA CRISTINA MENDES Chapter 6: Film Festivals as Cosmopolitan Assemblages: A Case Study in Diasporic Cocreation MONIA ACCIARI Chapter 7: Documentary as Witness; Documentary as Counter-Narrative: The Cinema of Sanjay Kak APARNA SHARMA Chapter 8: DiverCity: Independent Documentary as an Alternative Narrative of the City FAIZ ULLAH, ANJALI MONTEIRO AND K.P. JAYASANKAR Chapter 9: Zanjeer to Pink: The Trajectory of Amitabh Bachchan's Angry Young/Old Man Persona from Mainstream to Indie Cinema SWARNAVEL ESWARAN Chapter 10: Rapping in Double Time: Gandu's Subversive Time of Liberation ASHVIN IMMANUEL DEVASUNDARAM Chapter 11: Sairat's Transgressive Femininity: Quizzing Marathi Cinema AARTI WANI Chapter 12: Untold Stories, Representations and Contestations: Masaan (Crematorium) and Asha Jaoar Majhe (Labour of Love) SANGEETA DATTA Chapter 13: Haobam Paban Kumar and the Cinemas of North East India MEENAKSHI SHEDDE Chapter 14: The Subaltern Screams: Migrant Workers and the Police Station as Spatio-Carceral State of Exception in Tamil film Visaranai ASHVIN I. DEVASUNDARAM ContributorsIndex
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Tamil Nadu;Young Men;film studies;Mary Kom;cinema studies;Transnational Commercial Surrogacy;South Asian studies;Dhobi Ghat;South Asian media;Transnational Gestational Surrogacy;bollywood;Bhuvan Shome;independent film;International Humanitarian Law;world cinema;Prakash Mehra;world film;NFDC.;globalization;Hindi Film;cultural studies;Indian Indie;India;NFDC;Anuja Jain;Uski Roti;Sudha Tiwari;Independent Indian Films;Preti Taneja;Commercial Surrogacy;Amy Villarejo;Marathi Cinema;Ana Cristina Mendes;Lal Chowk;Monia Acciari;Cosmopolitan Assemblage;Aparna Sharma;Carceral Space;Faiz Ullah;Amitabh Bachchan;Anjali Monteiro;Govind Nihalani;K.P. Jayasankar;Film Festivals;Swarnavel Eswaran;Limited Theatrical Distribution;Aarti Wani;Bengali Cinema;Sangeeta Datta;Meenakshi Shedde;cinematic revolution;independent Indian cinema;New Wave Movement
