Bending the Rules of Music Theory
-10%
portes grátis
Bending the Rules of Music Theory
Lessons from Great Composers
Cutler, Timothy
Taylor & Francis Ltd
02/2019
314
Mole
Inglês
9781138478244
15 a 20 dias
571
Descrição não disponível.
Chapter 1: "Rules" / Chapter 2: Consonance and Dissonance / Chapter 3: Chord Construction / Chapter 4: Voice Leading I: Parallel Fifths / Chapter 5: Voice Leading II: Parallel Octaves and Other Procedures / Chapter 6: Harmonic Syntax I: Contrapuntal Chord Function / Chapter 7: Harmonic Syntax II: More Unorthodox Progressions / Chapter 8: Deviant Harmonies I: Forbidden and Functionally Flexible Chords / Chapter 9: Deviant Harmonies II: 6/4 Triads / Chapter 10: Aberrant Nonharmonic Tones I: Analytical Conundrums / Chapter 11: Aberrant Nonharmonic Tones II: Textbook Deviations / Chapter 12: Tonal Transgressions I: Beginnings and Endings / Chapter 13: Tonal Transgressions II: Plurality and Implication / Chapter 14: Oddities and Ends
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Young Man;music theory;Nonharmonic Tone;tonal harmony;Tonic Harmony;music analysis;Tonic Triad;voice leading;Chopin;parallel fifths;Piano Sonata;common-practice era;Passing Tone;tonal music;Common Practice Tonality;composition;Violin Sonata;Chord Tone;Dominant Harmony;Escape Tones;Perfect Authentic Cadence;Minor Triad;Chromatic Passing Tone;Predominant Chord;Seventh Chords;Violin Concerto;Incomplete Neighbor;Neighbor Chord;Plagal Progression;Parallel Octaves;Tonic Pedal;Harmonic Syntax
Chapter 1: "Rules" / Chapter 2: Consonance and Dissonance / Chapter 3: Chord Construction / Chapter 4: Voice Leading I: Parallel Fifths / Chapter 5: Voice Leading II: Parallel Octaves and Other Procedures / Chapter 6: Harmonic Syntax I: Contrapuntal Chord Function / Chapter 7: Harmonic Syntax II: More Unorthodox Progressions / Chapter 8: Deviant Harmonies I: Forbidden and Functionally Flexible Chords / Chapter 9: Deviant Harmonies II: 6/4 Triads / Chapter 10: Aberrant Nonharmonic Tones I: Analytical Conundrums / Chapter 11: Aberrant Nonharmonic Tones II: Textbook Deviations / Chapter 12: Tonal Transgressions I: Beginnings and Endings / Chapter 13: Tonal Transgressions II: Plurality and Implication / Chapter 14: Oddities and Ends
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;music theory;Nonharmonic Tone;tonal harmony;Tonic Harmony;music analysis;Tonic Triad;voice leading;Chopin;parallel fifths;Piano Sonata;common-practice era;Passing Tone;tonal music;Common Practice Tonality;composition;Violin Sonata;Chord Tone;Dominant Harmony;Escape Tones;Perfect Authentic Cadence;Minor Triad;Chromatic Passing Tone;Predominant Chord;Seventh Chords;Violin Concerto;Incomplete Neighbor;Neighbor Chord;Plagal Progression;Parallel Octaves;Tonic Pedal;Harmonic Syntax
