Beggars Banquet and the Rolling Stones' Rock and Roll Revolution
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Beggars Banquet and the Rolling Stones' Rock and Roll Revolution
'They Call My Name Disturbance'
Reising, Russell
Taylor & Francis Ltd
12/2019
216
Dura
Inglês
9781138304758
15 a 20 dias
570
Descrição não disponível.
Russell Reising: Introducton: "Just trying to do this jigsaw puzzle"
Part I: What can poor boys do, except to sing (and play and produce) in a rock 'n' roll band?
John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet
Steven Baur: 'And the drummer, he's so shattered': the percussive core of Beggars Banquet
Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive elements in the bass lines of Beggars Banquet
Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of Brian Jones
Stephen D. Christman: "Five strings, three notes, two fingers, one asshole": Keith Richards's use of open G tuning
James McGrath: Doctor, I'm damaged: medical and cultural mythologies of Nicky Hopkins and the Rolling Stones
Part II: "What's puzzling you is the nature of my game": some ideas
Ruth Tallman: Condemned to be free: the frightening uncertainty of a world without morality
Norma Coates: How can a smart chick like me listen to the Stones and not throw up? A speculative exploration of Beggars Banquet and misogyny
Brian Goodman, Woo Woooo: Beggars Banquet's new aesthetic
Part III: Some songs
Kimberly Mack: Please allow me to introduce myself': autobiographical blues self-fashioning in 'Sympathy for the Devil'
Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'"
Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord changes of 'Street Fighting Man'
Part IV: The Rolling Stones, live if you want it
Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969
Kimi Karki: 'I've been around for a long, long year': the spectacular evil in the Rolling Stones' live performance career
Part I: What can poor boys do, except to sing (and play and produce) in a rock 'n' roll band?
John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet
Steven Baur: 'And the drummer, he's so shattered': the percussive core of Beggars Banquet
Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive elements in the bass lines of Beggars Banquet
Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of Brian Jones
Stephen D. Christman: "Five strings, three notes, two fingers, one asshole": Keith Richards's use of open G tuning
James McGrath: Doctor, I'm damaged: medical and cultural mythologies of Nicky Hopkins and the Rolling Stones
Part II: "What's puzzling you is the nature of my game": some ideas
Ruth Tallman: Condemned to be free: the frightening uncertainty of a world without morality
Norma Coates: How can a smart chick like me listen to the Stones and not throw up? A speculative exploration of Beggars Banquet and misogyny
Brian Goodman, Woo Woooo: Beggars Banquet's new aesthetic
Part III: Some songs
Kimberly Mack: Please allow me to introduce myself': autobiographical blues self-fashioning in 'Sympathy for the Devil'
Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'"
Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord changes of 'Street Fighting Man'
Part IV: The Rolling Stones, live if you want it
Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969
Kimi Karki: 'I've been around for a long, long year': the spectacular evil in the Rolling Stones' live performance career
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Beggars Banquet;Young Men;Rolling Stones;Pop Stars;blues-based rock music;Play Back;American music;Street Fighting Man;Charlie Watts;Jack Flash;Satanic Majesties Request;Jimmy Miller;BOOM BOOM BOOM;Vice Versa;Open Tunings;Peetie Wheatstraw;Band Ventures;Chord Set;Moral Antirealism;Moral Anti-realism;Primary Affective Event;Rock Music;Psychedelic Experience;National Hockey League;National Basketball Association;LSD Experience;Monterey Pop Festival
Russell Reising: Introducton: "Just trying to do this jigsaw puzzle"
Part I: What can poor boys do, except to sing (and play and produce) in a rock 'n' roll band?
John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet
Steven Baur: 'And the drummer, he's so shattered': the percussive core of Beggars Banquet
Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive elements in the bass lines of Beggars Banquet
Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of Brian Jones
Stephen D. Christman: "Five strings, three notes, two fingers, one asshole": Keith Richards's use of open G tuning
James McGrath: Doctor, I'm damaged: medical and cultural mythologies of Nicky Hopkins and the Rolling Stones
Part II: "What's puzzling you is the nature of my game": some ideas
Ruth Tallman: Condemned to be free: the frightening uncertainty of a world without morality
Norma Coates: How can a smart chick like me listen to the Stones and not throw up? A speculative exploration of Beggars Banquet and misogyny
Brian Goodman, Woo Woooo: Beggars Banquet's new aesthetic
Part III: Some songs
Kimberly Mack: Please allow me to introduce myself': autobiographical blues self-fashioning in 'Sympathy for the Devil'
Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'"
Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord changes of 'Street Fighting Man'
Part IV: The Rolling Stones, live if you want it
Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969
Kimi Karki: 'I've been around for a long, long year': the spectacular evil in the Rolling Stones' live performance career
Part I: What can poor boys do, except to sing (and play and produce) in a rock 'n' roll band?
John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet
Steven Baur: 'And the drummer, he's so shattered': the percussive core of Beggars Banquet
Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive elements in the bass lines of Beggars Banquet
Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of Brian Jones
Stephen D. Christman: "Five strings, three notes, two fingers, one asshole": Keith Richards's use of open G tuning
James McGrath: Doctor, I'm damaged: medical and cultural mythologies of Nicky Hopkins and the Rolling Stones
Part II: "What's puzzling you is the nature of my game": some ideas
Ruth Tallman: Condemned to be free: the frightening uncertainty of a world without morality
Norma Coates: How can a smart chick like me listen to the Stones and not throw up? A speculative exploration of Beggars Banquet and misogyny
Brian Goodman, Woo Woooo: Beggars Banquet's new aesthetic
Part III: Some songs
Kimberly Mack: Please allow me to introduce myself': autobiographical blues self-fashioning in 'Sympathy for the Devil'
Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'"
Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord changes of 'Street Fighting Man'
Part IV: The Rolling Stones, live if you want it
Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969
Kimi Karki: 'I've been around for a long, long year': the spectacular evil in the Rolling Stones' live performance career
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Beggars Banquet;Young Men;Rolling Stones;Pop Stars;blues-based rock music;Play Back;American music;Street Fighting Man;Charlie Watts;Jack Flash;Satanic Majesties Request;Jimmy Miller;BOOM BOOM BOOM;Vice Versa;Open Tunings;Peetie Wheatstraw;Band Ventures;Chord Set;Moral Antirealism;Moral Anti-realism;Primary Affective Event;Rock Music;Psychedelic Experience;National Hockey League;National Basketball Association;LSD Experience;Monterey Pop Festival
