Women, Femininity and Public Space in European Visual Culture, 1789-1914
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portes grátis
Women, Femininity and Public Space in European Visual Culture, 1789-1914
Jensen, Heather Belnap; Balducci, Temma
Taylor & Francis Ltd
06/2017
356
Mole
Inglês
9781138310179
15 a 20 dias
660
Descrição não disponível.
Contents: Introduction, Temma Balducci and Heather Belnap Jensen; Marketing the maternal body in the public spaces of post-Revolutionary Paris, Heather Belnap Jensen; Baroness Hyde de Neuville and the sidewalks of New York, 1807-14, Laura Auricchio; Mediating private and public: Juliette Recamier's salon at L'Abbaye-aux-Bois, Daniel Harkett; The female artist in the public eye: women copyists at the Uffizi, 1770-1859, Sheila Barker; A woman abroad: Emma Brownlow in Brittany, Pamela Gerrish Nunn; Representing the modern woman: the fashion plate reconsidered (1865-75), Justine De Young; 'Excessive Industry': female art historians, popular publishing and professional access, Amy M. von Lintel; Connaisseuses and cocottes: women at the Salon in French caricature, Karen J. Leader; Aller a pied: bourgeois women on the streets of Paris, Temma Balducci; De paseo: tracing women's steps in Madrid's late 19th-century illustrated press, Vanesa Rodriguez-Galindo; Women, art history and the public sphere: Emilia Dilke's 18th century, Elizabeth C. Mansfield; Walking the dog a la ville: Louise Abbema, women and the Parisian landscape, Miranda Mason; The boarders and borders of Emily Carr's London Student Sojourn, Samantha Burton; Separation and erasure: the fate of women artists in Vienna, Julie M. Johnson; Single women, public space and the German Ledigenheim, Erin Eckhold Sassin; Gertrude Stein 'facing both ways', Annalisa Zox-Weaver; Selected bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Oil On Canvas;Women Artists;artists;Young Men;fashion;Hand Colored Lithograph;plate;Hyde De Neuville;middle;Jardin Du Luxembourg;class;Fashion Plate;separate;Boulevard Des Italiens;spheres;Nineteenth Century French Art;art;Nineteenth Century Art Historical;history;Bourgeois Women;feminist;Della;Heather Belnap Jensen;Dense;Laura Auricchio;Eighteenth Century French Art;Daniel Harkett;Women Copyists;Sheila Barker;Emilia Dilke;Pamela Gerrish Nunn;Place De La Concorde;Justine De Young;Women Art Historians;Amy M. Von Lintel;French Art History;Karen J. Leader;British Columbia Archives;Vanesa Rodriguez-Galindo;Tontine Coffee House;Elizabeth C. Mansfield;BC Archive;Miranda Mason;Illustrated Press;Samantha Burton;Separate Spheres Model;Julie M. Johnson;Female Art Historians;Erin Eckhold Sassin;Annalisa Zox-Weaver
Contents: Introduction, Temma Balducci and Heather Belnap Jensen; Marketing the maternal body in the public spaces of post-Revolutionary Paris, Heather Belnap Jensen; Baroness Hyde de Neuville and the sidewalks of New York, 1807-14, Laura Auricchio; Mediating private and public: Juliette Recamier's salon at L'Abbaye-aux-Bois, Daniel Harkett; The female artist in the public eye: women copyists at the Uffizi, 1770-1859, Sheila Barker; A woman abroad: Emma Brownlow in Brittany, Pamela Gerrish Nunn; Representing the modern woman: the fashion plate reconsidered (1865-75), Justine De Young; 'Excessive Industry': female art historians, popular publishing and professional access, Amy M. von Lintel; Connaisseuses and cocottes: women at the Salon in French caricature, Karen J. Leader; Aller a pied: bourgeois women on the streets of Paris, Temma Balducci; De paseo: tracing women's steps in Madrid's late 19th-century illustrated press, Vanesa Rodriguez-Galindo; Women, art history and the public sphere: Emilia Dilke's 18th century, Elizabeth C. Mansfield; Walking the dog a la ville: Louise Abbema, women and the Parisian landscape, Miranda Mason; The boarders and borders of Emily Carr's London Student Sojourn, Samantha Burton; Separation and erasure: the fate of women artists in Vienna, Julie M. Johnson; Single women, public space and the German Ledigenheim, Erin Eckhold Sassin; Gertrude Stein 'facing both ways', Annalisa Zox-Weaver; Selected bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Oil On Canvas;Women Artists;artists;Young Men;fashion;Hand Colored Lithograph;plate;Hyde De Neuville;middle;Jardin Du Luxembourg;class;Fashion Plate;separate;Boulevard Des Italiens;spheres;Nineteenth Century French Art;art;Nineteenth Century Art Historical;history;Bourgeois Women;feminist;Della;Heather Belnap Jensen;Dense;Laura Auricchio;Eighteenth Century French Art;Daniel Harkett;Women Copyists;Sheila Barker;Emilia Dilke;Pamela Gerrish Nunn;Place De La Concorde;Justine De Young;Women Art Historians;Amy M. Von Lintel;French Art History;Karen J. Leader;British Columbia Archives;Vanesa Rodriguez-Galindo;Tontine Coffee House;Elizabeth C. Mansfield;BC Archive;Miranda Mason;Illustrated Press;Samantha Burton;Separate Spheres Model;Julie M. Johnson;Female Art Historians;Erin Eckhold Sassin;Annalisa Zox-Weaver
