Blacks and Blackness in European Art of the Long Nineteenth Century

Contents: Introduction: figuring blackness in Europe, Adrienne L. Childs and Susan H. Libby; The color of Frenchness: racial identity and visuality in French anti-slavery imagery, 1788-94, Susan H. Libby; US and THEM: Camper's odious ligne faciale and Gericault's beseeching black, Albert Alhadeff; 'A mulatto sculptor from New Orleans': Eugene Warburg in Europe, 1853-59, Paul H.D. Kaplan; Ira Aldridge as Othello in James Northcote's Manchester portrait, Earnestine Jenkins; Exceeding blackness: African women in the art of Jean-Leon GerA?me, Adrienne L. Childs; Visualizing racial antics in late 19th-century France, James Smalls; Staging ethnicity: Edvard Munch's images of Sultan Abdul Karim, Allison W. Chang; Race and beauty in black and white: Robert Demachy and the aestheticization of blackness in pictorialist photography, Wendy A. Grossman; Selected bibliography; Index.

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• História dos estilos de arte e design: ~1800 até ~1900
• Artes: temas gerais

County Court House;Photo-Club De Paris;Adrienne L. Childs;Chat Noir;Albert Alhadeff;Chat Noir Cabaret;Alison W. Chang;Girodet;Earnestine Jenkins;Munch Museum;James Smalls;Young Man;Paul H.D. Kaplan;Robert Demachy;Susan H. Libby;African American Visual Artist;Wendy A. Grossman;Jean Baptiste Carpeaux;Black Female Body;Moorish Bath;Pictorialist Movement;Julien Joseph Virey;Richard III;Anne Louis Girodet Trioson;Nineteenth Century European Art;Artist's Models;Yinka Shonibare;Bridgeman Art Library;Galley Slaves;Ethnographic Exhibitions;Le Courrier;Anne Louis Girodet De;Blackface Minstrelsy