Theatre and Performance in East Africa
-10%
portes grátis
Theatre and Performance in East Africa
Kasule, Samuel; Okagbue, Osita
Taylor & Francis Ltd
03/2021
182
Dura
Inglês
9781138958524
15 a 20 dias
408
Descrição não disponível.
Chapter One Introduction; Chapter Two The Abevugyi/Abasizi of Ankore (Uganda) and Rwanda: Praise Recitation Performance; Chapter Three Identity Rituals of the Bamasaba and the Babukusu of Uganda and Kenya; Chapter Four Bwola and Larakaraka of the Acholi of Northern Uganda; Chapter Five Abadongo and Inanga Itinerant Musicians of Rwanda and Uganda; Chapter Six Gacaca: Performance and Nation; Chapter Seven Conclusion; Bibliography; Glossary
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;indigenous;Make Up;staging;Gacaca Court;rehearsal;Indigenous Performances;creating performance;African Performances;repertory;RPF;urbanisation;Extra Daily Behaviour;performance processes;Colonial Borders;non-professionalism;Traditional Gacaca;apprenticeship;Local African Languages;non-naturalistic;Mato Oput;improvisational;East African;Burundi;Acholi Culture;Kenya;Crooked Foot;Rwanda;Female Dancers;Tanzania;Song Leader;Uganda;Male Dancers;Bwola;Mount Elgon Region;Larakaraka;Restorative Justice;Acholi;Patas Monkeys;ebyevugo;Praise Poetry;Ankole;Itinerant Musicians;ibyivugo;Lord Resistance Army War;ib'iyivugo;Acholi Society;emmandwa;Lead Drum;kubandwa;Baganda;Baziba;imbalu;Bamasaba;Baluhya;abadongo;inanga;Gacaca;bashingantahe;Hima;Tutsi;Mmandwa;IsImbalu;Bantu;inyangamugayo;African performance
Chapter One Introduction; Chapter Two The Abevugyi/Abasizi of Ankore (Uganda) and Rwanda: Praise Recitation Performance; Chapter Three Identity Rituals of the Bamasaba and the Babukusu of Uganda and Kenya; Chapter Four Bwola and Larakaraka of the Acholi of Northern Uganda; Chapter Five Abadongo and Inanga Itinerant Musicians of Rwanda and Uganda; Chapter Six Gacaca: Performance and Nation; Chapter Seven Conclusion; Bibliography; Glossary
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;indigenous;Make Up;staging;Gacaca Court;rehearsal;Indigenous Performances;creating performance;African Performances;repertory;RPF;urbanisation;Extra Daily Behaviour;performance processes;Colonial Borders;non-professionalism;Traditional Gacaca;apprenticeship;Local African Languages;non-naturalistic;Mato Oput;improvisational;East African;Burundi;Acholi Culture;Kenya;Crooked Foot;Rwanda;Female Dancers;Tanzania;Song Leader;Uganda;Male Dancers;Bwola;Mount Elgon Region;Larakaraka;Restorative Justice;Acholi;Patas Monkeys;ebyevugo;Praise Poetry;Ankole;Itinerant Musicians;ibyivugo;Lord Resistance Army War;ib'iyivugo;Acholi Society;emmandwa;Lead Drum;kubandwa;Baganda;Baziba;imbalu;Bamasaba;Baluhya;abadongo;inanga;Gacaca;bashingantahe;Hima;Tutsi;Mmandwa;IsImbalu;Bantu;inyangamugayo;African performance
