Routledge Handbook of Reenactment Studies
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Routledge Handbook of Reenactment Studies
Key Terms in the Field
Tomann, Juliane; Agnew, Vanessa; Lamb, Jonathan
Taylor & Francis Ltd
12/2019
264
Dura
Inglês
9781138333994
15 a 20 dias
644
Descrição não disponível.
General Introduction (Vanessa Agnew, Jonathan Lamb and Juliane Tomann) 1. Affect/Emotion (Martin Luecke and Juliane Brauer) 2. Art (Roger Benjamin) 3. Audience/Observers/ Participants (Nicolle Lamerichs) 4. Authenticity (Stephen Gapps) 5. Conjecture (Vanessa Agnew) 6. Corroboration (Jonathan Lamb) 7. Dance (Amanda Card) 8. Documentary (Stella Bruzzi) 9. Embodiment/Body (Amanda Card) 10. Evidence (Paul Pickering) 11. Experience (Anja Schwarz) 12. Experimentation (Anna Zalewska) 13. Expertise/Amateurism (Anna Braedder) 14. Gender (Jonathan Lamb) 15. Heritage (Donna Landry) 16. Historically informed music practice (Kate Bowan) 17. History of the Field (Ulf Otto) 18. Live Action Role Play (David Simkins) 19. Living History (David Dean) 20. Martyrdom (Martin Treml) 21. Material Culture/Objects (Stefanie Samida) 22. Materialization of the Past (Katrina Schlunke) 23. Mediality (Maria Muhle) 24. Memory/Commemoration (Juliane Tomann) 25. Mimesis (Kader Konuk) 26. Narrative (Inke Arns) 27. Nostalgia (Jonathan Schroeder) 28. Performance/Performativity (Katherine Johnson) 29. Pilgrimage (Kamila Baraniecka-Olszewska) 30. Practices of Reenactment (Alexander Cook) 31. Production of Historical Meaning (Scott Magelssen) 32. Realism (Jonathan Lamb) 33. Reenacting Indigeneity (Penny Edmonds) 34. Representation (Inke Arns) 35. Ritual (Anja Dreschke) 36. Subcultures (Mads Daugbjerg) 37. Suffering (Jonathan Lamb) 38. Tourism (Bodil Petersson)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;World War Ii Commemoration;Sealed Knot;Israeli Defense Forces;Reenactor;World War III;Reenactment;Auschwitz Birkenau State Museum;Re-enactment;Historical Digital Games;Performance Studies;Past Tenses;Cultural History;Algorithmic Artifacts;Memory;Historical Reenactment;Public History;Forensic Architecture;Performativity;Civil War Reenactors;Dark Tourism;Experimental Archaeology;Living History Sites;Functional Memory;work;Media Artistic Practices;Digital Games;performance;Battle Reenactment;Sublime Historical Experiences;Aleida Assmann;handbook;Living History;Reenactment Studies;Norsk Folkemuseum;mimesis;Australian National Maritime Museum;domestic dark tourism;SS Concentration Camp;Tv Camera
General Introduction (Vanessa Agnew, Jonathan Lamb and Juliane Tomann) 1. Affect/Emotion (Martin Luecke and Juliane Brauer) 2. Art (Roger Benjamin) 3. Audience/Observers/ Participants (Nicolle Lamerichs) 4. Authenticity (Stephen Gapps) 5. Conjecture (Vanessa Agnew) 6. Corroboration (Jonathan Lamb) 7. Dance (Amanda Card) 8. Documentary (Stella Bruzzi) 9. Embodiment/Body (Amanda Card) 10. Evidence (Paul Pickering) 11. Experience (Anja Schwarz) 12. Experimentation (Anna Zalewska) 13. Expertise/Amateurism (Anna Braedder) 14. Gender (Jonathan Lamb) 15. Heritage (Donna Landry) 16. Historically informed music practice (Kate Bowan) 17. History of the Field (Ulf Otto) 18. Live Action Role Play (David Simkins) 19. Living History (David Dean) 20. Martyrdom (Martin Treml) 21. Material Culture/Objects (Stefanie Samida) 22. Materialization of the Past (Katrina Schlunke) 23. Mediality (Maria Muhle) 24. Memory/Commemoration (Juliane Tomann) 25. Mimesis (Kader Konuk) 26. Narrative (Inke Arns) 27. Nostalgia (Jonathan Schroeder) 28. Performance/Performativity (Katherine Johnson) 29. Pilgrimage (Kamila Baraniecka-Olszewska) 30. Practices of Reenactment (Alexander Cook) 31. Production of Historical Meaning (Scott Magelssen) 32. Realism (Jonathan Lamb) 33. Reenacting Indigeneity (Penny Edmonds) 34. Representation (Inke Arns) 35. Ritual (Anja Dreschke) 36. Subcultures (Mads Daugbjerg) 37. Suffering (Jonathan Lamb) 38. Tourism (Bodil Petersson)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;World War Ii Commemoration;Sealed Knot;Israeli Defense Forces;Reenactor;World War III;Reenactment;Auschwitz Birkenau State Museum;Re-enactment;Historical Digital Games;Performance Studies;Past Tenses;Cultural History;Algorithmic Artifacts;Memory;Historical Reenactment;Public History;Forensic Architecture;Performativity;Civil War Reenactors;Dark Tourism;Experimental Archaeology;Living History Sites;Functional Memory;work;Media Artistic Practices;Digital Games;performance;Battle Reenactment;Sublime Historical Experiences;Aleida Assmann;handbook;Living History;Reenactment Studies;Norsk Folkemuseum;mimesis;Australian National Maritime Museum;domestic dark tourism;SS Concentration Camp;Tv Camera
