Eloquence of Art
-10%
portes grátis
Eloquence of Art
Essays in Honour of Henry Maguire
Lam, Andrea Olsen; Schroeder, Rossitza
Taylor & Francis Inc
04/2020
474
Dura
Inglês
9780815394594
15 a 20 dias
1156
Descrição não disponível.
1. Picturing Thessaloniki;
2. An icon of John the Baptist;
3. Internationalizing Russia's Byzantine heritage: Medieval enamels and chromolithographic geopolitics;
4. Gender and gesture;
5. The portrait of a lady;
6. The perils of Polyeuktos: On the manifestations of a martyr in Byzantine art, cult and literature;
7. Hanging by a thread: The death of Judas in early Christian art;
8. Claiming the Cross: Reconsidering the Stavelot triptych;
9. The making of an icon: 'Christ of the Miracle of the Latomou';
10. Firm flowers in the artifice of transience;
11. Art and efficacy in an icon of St. George;
12. Contexts for the Christos Paschon;
13. The calendar of saints in Hodegon lectionaries;
14. Multiple phase churches in Cappadocia;
15. Visions of the Passion imagined through the agency of voice and icon;
16. The season of salvation: Images and texts at Li Monaci in Apulia;
17. King David narratives, messianic politics and the Dura-Europos synagogue;
18. From a conqueror to a legitimate heir: The Byzantine princely family, Gentile Bellini and Mehmed II Fatih;
19. The giraffe that came to Constantinople;
20. The many-eyed archangels in early Byzantine art;
21. Absence of Nomina Sacra in post-iconoclastic images of Christ and the Virgin: Mosaics of Hagia Sophia, Constantinople;
22. Integrated yet segregated: Eastern Islamic art in twelfth-century Byzantium;
23. The Mother of God in the earthly paradise
2. An icon of John the Baptist;
3. Internationalizing Russia's Byzantine heritage: Medieval enamels and chromolithographic geopolitics;
4. Gender and gesture;
5. The portrait of a lady;
6. The perils of Polyeuktos: On the manifestations of a martyr in Byzantine art, cult and literature;
7. Hanging by a thread: The death of Judas in early Christian art;
8. Claiming the Cross: Reconsidering the Stavelot triptych;
9. The making of an icon: 'Christ of the Miracle of the Latomou';
10. Firm flowers in the artifice of transience;
11. Art and efficacy in an icon of St. George;
12. Contexts for the Christos Paschon;
13. The calendar of saints in Hodegon lectionaries;
14. Multiple phase churches in Cappadocia;
15. Visions of the Passion imagined through the agency of voice and icon;
16. The season of salvation: Images and texts at Li Monaci in Apulia;
17. King David narratives, messianic politics and the Dura-Europos synagogue;
18. From a conqueror to a legitimate heir: The Byzantine princely family, Gentile Bellini and Mehmed II Fatih;
19. The giraffe that came to Constantinople;
20. The many-eyed archangels in early Byzantine art;
21. Absence of Nomina Sacra in post-iconoclastic images of Christ and the Virgin: Mosaics of Hagia Sophia, Constantinople;
22. Integrated yet segregated: Eastern Islamic art in twelfth-century Byzantium;
23. The Mother of God in the earthly paradise
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Tsar Alexander III;Young Men;Byzantine art Medieval history Medieval visual culture Byzantine magic Aesthetics Art History Icons Rhetoric Secular arts;Conrad III;non-canonical objects;Dura Europos Synagogue;Byzantine art;Michigan Princeton Alexandria Expeditions;Maguire's work;Christ Child;medieval art;Holy Men;Leo III;John II Komnenos;Apse Mosaic;Emperor Leo VI;Archaeological Receipts Fund;Vice Versa;Byzantine Enamels;Leo VI;Stavelot Triptych;Twelfth Century Column;Cappella Palatina;Torah Shrine;St Demetrios;Dumbarton Oaks Research Library;Tiroler Landesmuseum Ferdinandeum;Napoleon III;Orant Saint;Byzantine Reliquary
1. Picturing Thessaloniki;
2. An icon of John the Baptist;
3. Internationalizing Russia's Byzantine heritage: Medieval enamels and chromolithographic geopolitics;
4. Gender and gesture;
5. The portrait of a lady;
6. The perils of Polyeuktos: On the manifestations of a martyr in Byzantine art, cult and literature;
7. Hanging by a thread: The death of Judas in early Christian art;
8. Claiming the Cross: Reconsidering the Stavelot triptych;
9. The making of an icon: 'Christ of the Miracle of the Latomou';
10. Firm flowers in the artifice of transience;
11. Art and efficacy in an icon of St. George;
12. Contexts for the Christos Paschon;
13. The calendar of saints in Hodegon lectionaries;
14. Multiple phase churches in Cappadocia;
15. Visions of the Passion imagined through the agency of voice and icon;
16. The season of salvation: Images and texts at Li Monaci in Apulia;
17. King David narratives, messianic politics and the Dura-Europos synagogue;
18. From a conqueror to a legitimate heir: The Byzantine princely family, Gentile Bellini and Mehmed II Fatih;
19. The giraffe that came to Constantinople;
20. The many-eyed archangels in early Byzantine art;
21. Absence of Nomina Sacra in post-iconoclastic images of Christ and the Virgin: Mosaics of Hagia Sophia, Constantinople;
22. Integrated yet segregated: Eastern Islamic art in twelfth-century Byzantium;
23. The Mother of God in the earthly paradise
2. An icon of John the Baptist;
3. Internationalizing Russia's Byzantine heritage: Medieval enamels and chromolithographic geopolitics;
4. Gender and gesture;
5. The portrait of a lady;
6. The perils of Polyeuktos: On the manifestations of a martyr in Byzantine art, cult and literature;
7. Hanging by a thread: The death of Judas in early Christian art;
8. Claiming the Cross: Reconsidering the Stavelot triptych;
9. The making of an icon: 'Christ of the Miracle of the Latomou';
10. Firm flowers in the artifice of transience;
11. Art and efficacy in an icon of St. George;
12. Contexts for the Christos Paschon;
13. The calendar of saints in Hodegon lectionaries;
14. Multiple phase churches in Cappadocia;
15. Visions of the Passion imagined through the agency of voice and icon;
16. The season of salvation: Images and texts at Li Monaci in Apulia;
17. King David narratives, messianic politics and the Dura-Europos synagogue;
18. From a conqueror to a legitimate heir: The Byzantine princely family, Gentile Bellini and Mehmed II Fatih;
19. The giraffe that came to Constantinople;
20. The many-eyed archangels in early Byzantine art;
21. Absence of Nomina Sacra in post-iconoclastic images of Christ and the Virgin: Mosaics of Hagia Sophia, Constantinople;
22. Integrated yet segregated: Eastern Islamic art in twelfth-century Byzantium;
23. The Mother of God in the earthly paradise
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Tsar Alexander III;Young Men;Byzantine art Medieval history Medieval visual culture Byzantine magic Aesthetics Art History Icons Rhetoric Secular arts;Conrad III;non-canonical objects;Dura Europos Synagogue;Byzantine art;Michigan Princeton Alexandria Expeditions;Maguire's work;Christ Child;medieval art;Holy Men;Leo III;John II Komnenos;Apse Mosaic;Emperor Leo VI;Archaeological Receipts Fund;Vice Versa;Byzantine Enamels;Leo VI;Stavelot Triptych;Twelfth Century Column;Cappella Palatina;Torah Shrine;St Demetrios;Dumbarton Oaks Research Library;Tiroler Landesmuseum Ferdinandeum;Napoleon III;Orant Saint;Byzantine Reliquary
