Art of Game Design
-10%
portes grátis
Art of Game Design
A Book of Lenses, Third Edition
Schell, Jesse
Taylor & Francis Ltd
08/2019
652
Mole
Inglês
9781138632059
15 a 20 dias
1300
Descrição não disponível.
Ch 1 In the Beginning, There Is the Designer. Ch 2 The Designer Creates an Experience. Ch 3 The Experience Takes Place in a Venue. Ch 4 The Experience Rises Out of a Game. Ch 5 The Game Consists of Elements. Ch 6 Ch 7 The Elements Support a Theme. Ch 8 The Game Begins with an Idea. Ch 9 The Game Improves through Iteration. Ch 10 The Game Is Made for a Player. Ch 11 The Experience Is in the Player's Mind. Ch 12 The Player's Mind Is Driven by the Player's Motivation. Ch 13 Some Elements Are Game Mechanics. Ch 14 Game Mechanics Must Be in Balance. Ch 15 Game Mechanics Support Puzzles. Ch 16 Players Play Games through an Interface. Ch 17 Experiences Can Be Judged by Their Interest Curves. Ch 18 One Kind of Experience Is the Story. Ch 19 Story and Game Structures Can Be Artfully Merged with Indirect Control. Ch 20 Stories and Games Take Place in Worlds. Ch 21 Worlds Contain Characters. Ch 22 Worlds Contain Spaces. Ch 23 The Look and Feel of a World Is Defined by Its Aesthetics. Ch 24 Some Games Are Played with Other Players. Ch 25 Other Players Sometimes Form Communities. Ch 26 The Designer Usually Works with a Team. Ch 27 The Team Sometimes Communicates through Documents. Ch 28 Good Games Are Created through Playtesting. Ch 29 The Team Builds a Game with Technology. Ch 30 Your Game Will Probably Have a Client. Ch 31 The Designer Gives the Client a Pitch. Ch 32 The Designer and Client Want the Game to Make a Profit. Games Ch 33 Transform Their Players. Designers Have Certain Responsibilities. Ch 34 Each Designer Has a Purpose.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Playtest;Grand Theft Auto;Game Design Team;Hero's Journey;Game Communities;Party Games;Game Aesthetics;Integrated Artistic Visions;Game Characters;Animal Kingdom;Game Worlds;Game Developers;Game Structure;Game Controller;Game Story;Collectible Card Game;Game Interface;Vice Versa;Game Mechanics;Cd Rom Drive;Game Player Motivation;Elemental Tetrad;Game Player Experience;Game Designers;Game Elements;Transmedia Worlds;Game Experience;Interest Curve;Game Design;Pitch Tip;AR;Game Design Document;VR;Mri Research;Real World Method;Transformational Games;Indirect Control Method;augmented reality;Interface Tip;character;Tv Show;Story Tip;Reading Nook;interface;story;virtual reality;design;athletic games;augmented reality platform;game design principles;virtual reality platform
Ch 1 In the Beginning, There Is the Designer. Ch 2 The Designer Creates an Experience. Ch 3 The Experience Takes Place in a Venue. Ch 4 The Experience Rises Out of a Game. Ch 5 The Game Consists of Elements. Ch 6 Ch 7 The Elements Support a Theme. Ch 8 The Game Begins with an Idea. Ch 9 The Game Improves through Iteration. Ch 10 The Game Is Made for a Player. Ch 11 The Experience Is in the Player's Mind. Ch 12 The Player's Mind Is Driven by the Player's Motivation. Ch 13 Some Elements Are Game Mechanics. Ch 14 Game Mechanics Must Be in Balance. Ch 15 Game Mechanics Support Puzzles. Ch 16 Players Play Games through an Interface. Ch 17 Experiences Can Be Judged by Their Interest Curves. Ch 18 One Kind of Experience Is the Story. Ch 19 Story and Game Structures Can Be Artfully Merged with Indirect Control. Ch 20 Stories and Games Take Place in Worlds. Ch 21 Worlds Contain Characters. Ch 22 Worlds Contain Spaces. Ch 23 The Look and Feel of a World Is Defined by Its Aesthetics. Ch 24 Some Games Are Played with Other Players. Ch 25 Other Players Sometimes Form Communities. Ch 26 The Designer Usually Works with a Team. Ch 27 The Team Sometimes Communicates through Documents. Ch 28 Good Games Are Created through Playtesting. Ch 29 The Team Builds a Game with Technology. Ch 30 Your Game Will Probably Have a Client. Ch 31 The Designer Gives the Client a Pitch. Ch 32 The Designer and Client Want the Game to Make a Profit. Games Ch 33 Transform Their Players. Designers Have Certain Responsibilities. Ch 34 Each Designer Has a Purpose.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Playtest;Grand Theft Auto;Game Design Team;Hero's Journey;Game Communities;Party Games;Game Aesthetics;Integrated Artistic Visions;Game Characters;Animal Kingdom;Game Worlds;Game Developers;Game Structure;Game Controller;Game Story;Collectible Card Game;Game Interface;Vice Versa;Game Mechanics;Cd Rom Drive;Game Player Motivation;Elemental Tetrad;Game Player Experience;Game Designers;Game Elements;Transmedia Worlds;Game Experience;Interest Curve;Game Design;Pitch Tip;AR;Game Design Document;VR;Mri Research;Real World Method;Transformational Games;Indirect Control Method;augmented reality;Interface Tip;character;Tv Show;Story Tip;Reading Nook;interface;story;virtual reality;design;athletic games;augmented reality platform;game design principles;virtual reality platform
