Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War
-10%
portes grátis
Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War
Baumgartner, Michael; Boczkowska, Ewelina
Taylor & Francis Ltd
10/2019
314
Dura
Inglês
9781138238015
15 a 20 dias
566
Descrição não disponível.
Part I: Collective Memory and (Trans-)Nation / Chapter 1: A Fanfare Floating Beneath Sea Level: Music as a Sonic Lieu de Memoire of Dutch Cultural Identity on Film (Emile Wennekes) / Chapter 2: Which People's Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis's Riso amaro (1949, Bitter Rice (Maurizio Corbella) / Chapter 3: Phantoms of Italian Opera-Cultural Memory in Italian and (West) German Films (Roger Hillman) / Chapter 4: A Bridge Too Far? Music in the British War Film, 1945-80 (Mervyn Cooke) / Part II: Trauma and Survival / Chapter 5: Hidden in Plain View: The Music of Holocaust Survival in Poland's First Post-war Feature Film (Barbara Milewski) / Chapter 6: Empathy, Ethics, and Film Music: Alfred Schnittke and Larisa Shepit'ko's Voskhozhdenie (1977, The Ascent) (Maria Cizmic) / Chapter 7: Fugue States: Music, Memory, and Trauma in Alain Resnais's Early 1960s Films (Michael Baumgartner and Orlene Denice McMahon) / Chapter 8: Re-Sounding Trauma: Sonic Flashbacks in the Films of Jan Troell (Alexis Luko) / Part III: Nostalgia, and the Impossible Returns Home / Chapter 9: Decomposing Heroism: Rolf Wilhelm's Music for Radetzkymarsch (1965) (Janina Mueller and Tobias Plebuch) / Chapter 10: The Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in Andrei Tarkovsky's Nostalghia (1983) (Tobias Pontara) / Chapter 11: "Chopin Meant Everything to Us Then": Chopin Nostalgia in Polish Cinema, 1944-91 (Ewelina Boczkowska) / Chapter 12: Returning Home: Critical Nostalgia and French Cinematic Illusion in the Post-war Musical Films of Rene Clair and Jean Renoir (Hannah Lewis)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
UK Film Industry;Young Men;film music;post-Second World War Italy;film studies;La Guerre Est Finie;european film;News Reel;WWII;Fryderyk Chopin;cultural studies;Radetzky March;memory studies;French Cancan;music and film;Cancan;soundtrack;La Note Bleue;Chopin's Music;Verdi's Music;Goffredo Petrassi;Van Parys;Schnittke's Music;Restorative Nostalgia;Act Iii;Verdi's Requiem;Concertgebouw Orchestra;Jan Troell;Beethoven's Music;British War Films;Flashback Sequence;Postwar Italian Cinema;Official Soviet Narrative
Part I: Collective Memory and (Trans-)Nation / Chapter 1: A Fanfare Floating Beneath Sea Level: Music as a Sonic Lieu de Memoire of Dutch Cultural Identity on Film (Emile Wennekes) / Chapter 2: Which People's Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis's Riso amaro (1949, Bitter Rice (Maurizio Corbella) / Chapter 3: Phantoms of Italian Opera-Cultural Memory in Italian and (West) German Films (Roger Hillman) / Chapter 4: A Bridge Too Far? Music in the British War Film, 1945-80 (Mervyn Cooke) / Part II: Trauma and Survival / Chapter 5: Hidden in Plain View: The Music of Holocaust Survival in Poland's First Post-war Feature Film (Barbara Milewski) / Chapter 6: Empathy, Ethics, and Film Music: Alfred Schnittke and Larisa Shepit'ko's Voskhozhdenie (1977, The Ascent) (Maria Cizmic) / Chapter 7: Fugue States: Music, Memory, and Trauma in Alain Resnais's Early 1960s Films (Michael Baumgartner and Orlene Denice McMahon) / Chapter 8: Re-Sounding Trauma: Sonic Flashbacks in the Films of Jan Troell (Alexis Luko) / Part III: Nostalgia, and the Impossible Returns Home / Chapter 9: Decomposing Heroism: Rolf Wilhelm's Music for Radetzkymarsch (1965) (Janina Mueller and Tobias Plebuch) / Chapter 10: The Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in Andrei Tarkovsky's Nostalghia (1983) (Tobias Pontara) / Chapter 11: "Chopin Meant Everything to Us Then": Chopin Nostalgia in Polish Cinema, 1944-91 (Ewelina Boczkowska) / Chapter 12: Returning Home: Critical Nostalgia and French Cinematic Illusion in the Post-war Musical Films of Rene Clair and Jean Renoir (Hannah Lewis)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
UK Film Industry;Young Men;film music;post-Second World War Italy;film studies;La Guerre Est Finie;european film;News Reel;WWII;Fryderyk Chopin;cultural studies;Radetzky March;memory studies;French Cancan;music and film;Cancan;soundtrack;La Note Bleue;Chopin's Music;Verdi's Music;Goffredo Petrassi;Van Parys;Schnittke's Music;Restorative Nostalgia;Act Iii;Verdi's Requiem;Concertgebouw Orchestra;Jan Troell;Beethoven's Music;British War Films;Flashback Sequence;Postwar Italian Cinema;Official Soviet Narrative
