Electronic and Experimental Music

PART 1: ELECTRONIC MUSIC FUNDAMENTALS / 1 What Is Electronic Music? / 2 Listening to Electronic Music / 3 How Electronic Music is Composed / 4 Electronic Music Composition by Process / 5 The Physics of Musical Sound / 6 Analog and Digital Synthesis Basics / 7 Computer Music Basics / 8 Tape Composition and Sound Editing / 9 MIDI, Noise Reduction, and Audio Compression Technologies / PART 2: HISTORY OF ELECTRONIC AND COMPUTER MUSIC / 10 Earliest Experiments in Electronic Music (Pre-1920) / 11 Electronic Music Performance Instruments (1920-1940) / 12 The History of Audio Recording Technology / 13 Edgard Varese and The Listener's Experiment / 14 Musique Concrete In France / 15 Elektronische Musik in Germany / 16 Other European Electronic Music Studios / 17 John Cage in the United States / 18 The Columbia-Princeton Electronic Music Center, New York / 19 The Cooperative Studio for Electronic Music, Ann Arbor / 20 The Experimental Music Studio, University of Illinois / 21 The San Francisco Tape Music Center / 22 Electronic Music in Canada / 23 Radiophonic Music in the United Kingdom / 24 Electronic Music in Latin America / 25 Electronic Music in Asia and Australia / 26 Early Computer Music (1950-1969) / 27 Computer Music (1970-1985) / PART 3: MAKERS OF VINTAGE ANALOG AND DIGITAL SYNTHESIZERS / 28 Moog Analog Synthesizers / 29 Buchla Analog Synthesizers / 30 EMS Analog Synthesizers / 31 ARP Analog Synthesizers / 32 Other Analog Synthesizers / 33 Digital Synthesizers and Samplers / PART 4: LIVE ELECTRONIC MUSIC AND CONTEMPORARY PRACTICES / 34 Live Electronic Music - Foundations / 35 Live Electronic Music - Historical Practices / 36 Modern Turntablism / 37 Contemporary Software and Synthesis / 38 Eurorack / Appendix: Historic Studios of Electronic Music by World Region 1948-70

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• Século 20 e música clássica contemporânea
• Teoria da música e musicologia

Columbia Princeton Electronic Music Center;thom holmes;Envelope Follower;Routledge;BBC Radiophonic Workshop;computer music;Electronic Music;Halim El Dabh;electroacoustics;Electronic Music Studio;electroacoustical music;Modular Synthesizer;turntablism;Ondes Martenot;ambient music;Elektronische Musik;analog synthesis;Electronic Music Composers;digital synthesis;Playback;voltage control;Envelope Generators;synthesizers;Tape Composition;Patch Cords;Iannis Xenakis;Moog Modular Synthesizer;Radiophonic Workshop;Eliane Radigue;Electronic Music Synthesizers;Fairlight CMI;Analog Synthesizers;Midi Controller;Vladimir Ussachevsky;Mario Davidovsky;Merce Cunningham Dance Company