Driving Identities
Driving Identities
At the Intersection of Popular Music and Automotive Culture
McLeod, Ken
Taylor & Francis Ltd
05/2020
286
Dura
Inglês
9781138317055
15 a 20 dias
690
1 "Come Away With Me, Lucille": A Brief History of Popular Song and Automobiles
2 "No Particular Place to Go": Cars, Music, and African American Identity
3 "Gotta Feel for My Automobile": Cars, Music, Gender, and Sexuality
4 If This Brand Were a Band: Sound and Music in Automotive Branding
5 The Sound of Cars as Musical Objects: Tuning, Engine Sound Enhancement, and the Quest for Quiet
6 Sound Systems, Sonic Performance, and the Car as Instrument of Identity
7 Spare Parts: Cars and Soundtracks, Spiritual Connections, Location, and Theoretical Musings
Conclusion: Shut Down
Bibliography
Index
1 "Come Away With Me, Lucille": A Brief History of Popular Song and Automobiles
2 "No Particular Place to Go": Cars, Music, and African American Identity
3 "Gotta Feel for My Automobile": Cars, Music, Gender, and Sexuality
4 If This Brand Were a Band: Sound and Music in Automotive Branding
5 The Sound of Cars as Musical Objects: Tuning, Engine Sound Enhancement, and the Quest for Quiet
6 Sound Systems, Sonic Performance, and the Car as Instrument of Identity
7 Spare Parts: Cars and Soundtracks, Spiritual Connections, Location, and Theoretical Musings
Conclusion: Shut Down
Bibliography
Index