Made in Ireland
-10%
portes grátis
Made in Ireland
Studies in Popular Music
O Briain, Lonan; Mangaoang, Aine; O'Flynn, John
Taylor & Francis Ltd
10/2020
296
Mole
Inglês
9781138336032
15 a 20 dias
544
Descrição não disponível.
List of Illustrations; Series Foreword; Acknowledgements; Preface; Introduction: Popular Music in Ireland: Mapping the Field; Part I: Music Industries and Historiographies; 1. A History of Irish Record Labels from the 1920s to 2019; 2. Broadcasting Rock: The Fanning Sessions as a Gateway to New Music; 3. Don't Believe A Word?: Memoirs of Irish Rock Musicians; 4. Raging Mother Ireland: Faith, Fury and Feminism in the Body, Voice and Songs of Sinead O'Connor; 5. "Missing from the Record": Zrazy and Women's Music in Ireland; 6. "Alternative Ulster": The First Wave of Punk in Northern Ireland (1976-1983); Part 2: Roots and Routes; 7. Irish Lady Sings the Blues: History, Identity and Ottilie Patterson; 8. The Politics of Sound: Modernity and Post-Colonial Identity in Irish-language Popular Song; 9. Communal Voices: The Songs of Tom a'tSeoighe and Ciaran O Fatharta; 10. Popular Music as a Weapon: Irish Rebel Songs and the Onset of the Northern Ireland Troubles; 11. "...Practically Rock Stars Now": Changing Relations Between Traditional and Popular Music in a Post-Revival Tradition; 12. "Other Voices" in Media Representations of Irish Popular Music; Part 3: Scenes and Networks; 13. Assembling the Underground: Scale, Value and Visibility in Dublin's DIY Music Scene; 14. Parochial Capital and the Cork Music Scene; 15. Death of a Local Scene? Music in Dublin in the Digital Age; 16. Fit for Consumption?: Fanzines and Fan Communication in Irish DIY Music Scenes; 17. Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap; Coda 18. Making Spaces, Saving Places: Modern Irish Popular Music and the Green Turn; Afterword 19. Songs of Love: A conversation with Neil Hannon (The Divine Comedy); A Selected Bibliography on Irish Popular Music; Notes on Contributors; Index
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Mac Con Iomaire;Irish music;Pop Star;Irish popular music;Young Men;music in Ireland;regional music;UK Chart;music industry studies;Irish Popular;rock music;Country Music;popular music;Enya;Thin Lizzy;Sinead O'Connor;Domestic Popular Music;Celtic music;Irish Traditional Music;local music scenes;Music Fanzines;music cities;Hip Hop;world music;Local Music Scene;popular world music;Rebel Songs;music and memory;Irish Language;Dublin;Late Late Show;Cork;Contemporary Societies;Northern Ireland;Clancy Brothers;Irish culture;Popular Music History;Irish popular culture;Music Scene;cultural studies;Tv Interview;Irish cultural studies;Tetrapod Footprints;cultural studies of music;Provisional IRA's Campaign;music and culture;South Wind Blows;music and nationalism;Post-revival tradition;Alternative ulster;Music industries;Social contexts
List of Illustrations; Series Foreword; Acknowledgements; Preface; Introduction: Popular Music in Ireland: Mapping the Field; Part I: Music Industries and Historiographies; 1. A History of Irish Record Labels from the 1920s to 2019; 2. Broadcasting Rock: The Fanning Sessions as a Gateway to New Music; 3. Don't Believe A Word?: Memoirs of Irish Rock Musicians; 4. Raging Mother Ireland: Faith, Fury and Feminism in the Body, Voice and Songs of Sinead O'Connor; 5. "Missing from the Record": Zrazy and Women's Music in Ireland; 6. "Alternative Ulster": The First Wave of Punk in Northern Ireland (1976-1983); Part 2: Roots and Routes; 7. Irish Lady Sings the Blues: History, Identity and Ottilie Patterson; 8. The Politics of Sound: Modernity and Post-Colonial Identity in Irish-language Popular Song; 9. Communal Voices: The Songs of Tom a'tSeoighe and Ciaran O Fatharta; 10. Popular Music as a Weapon: Irish Rebel Songs and the Onset of the Northern Ireland Troubles; 11. "...Practically Rock Stars Now": Changing Relations Between Traditional and Popular Music in a Post-Revival Tradition; 12. "Other Voices" in Media Representations of Irish Popular Music; Part 3: Scenes and Networks; 13. Assembling the Underground: Scale, Value and Visibility in Dublin's DIY Music Scene; 14. Parochial Capital and the Cork Music Scene; 15. Death of a Local Scene? Music in Dublin in the Digital Age; 16. Fit for Consumption?: Fanzines and Fan Communication in Irish DIY Music Scenes; 17. Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap; Coda 18. Making Spaces, Saving Places: Modern Irish Popular Music and the Green Turn; Afterword 19. Songs of Love: A conversation with Neil Hannon (The Divine Comedy); A Selected Bibliography on Irish Popular Music; Notes on Contributors; Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Mac Con Iomaire;Irish music;Pop Star;Irish popular music;Young Men;music in Ireland;regional music;UK Chart;music industry studies;Irish Popular;rock music;Country Music;popular music;Enya;Thin Lizzy;Sinead O'Connor;Domestic Popular Music;Celtic music;Irish Traditional Music;local music scenes;Music Fanzines;music cities;Hip Hop;world music;Local Music Scene;popular world music;Rebel Songs;music and memory;Irish Language;Dublin;Late Late Show;Cork;Contemporary Societies;Northern Ireland;Clancy Brothers;Irish culture;Popular Music History;Irish popular culture;Music Scene;cultural studies;Tv Interview;Irish cultural studies;Tetrapod Footprints;cultural studies of music;Provisional IRA's Campaign;music and culture;South Wind Blows;music and nationalism;Post-revival tradition;Alternative ulster;Music industries;Social contexts
