Dealing with the Visual
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Dealing with the Visual
Art History, Aesthetics and Visual Culture
Winters, Edward; van Eck, Caroline
Taylor & Francis Ltd
02/2022
320
Mole
Inglês
9781138356818
15 a 20 dias
590
Descrição não disponível.
Contents: Introduction, Caroline van Eck and Edward Winters; Part I The experience of the visual in Art History, Aesthetics and Visual Culture: Visual culture and the history of art, David Peters Corbett; Space without hiding places: Merleau-Ponty's remarks on linear perspective, Ren van de Vall; Aesthetics and visual culture: looking at Andrew Pankhurst's Night Painting, Edward Winters; Ought painting be allowed to die?, Derek Matravers; Part II Elucidating the Visual: Marcus Gheeraerdts Captain Thomas Lee, Lucy Gent; Painting and visuality in Van Dyck's Self-portrait with a Sunflower, John Peacock; Sacred contagion: secular jewellery and votive transvaluation at the Santa Casa, Loreto, 1720-1820, Marcia Pointon; Villas and vision: looking at Palladio's villas from the road, Lex Hermans; Staged experiences: the church designs of Nicholas Hawksmoor, Sophie Ploeg; The unreliable eye: the decline of vision as a reliable source of knowledge in Dutch architectural theory of the nineteenth century, Petra Brouwer; Mies van der Rohe - drawing in space, Victoria Watson; Shadow, shading and outline in architectural engraving from Fr t to Letarouilly, Nicholas Savage; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Van Der Noot;Ma Si;Caroline Van Eck;Disorderly Order;David Peters Corbett;Frank Loops;Derek Matravers;Demarcation Lines;John Peacock;IIT Campus;Lex Hermans;Visual Culture Studies;Lucy Gent;Van Dyck's Self-portrait;Marcia Pointon;Outline Engraving;Nicholas Savage;Alumni Memorial Hall;Petra Brouwer;Geometrical Elevations;RenVan De Vall;Partheneia Sacra;Sophie Ploeg;Outline Etching;Victoria Watson;Hawksmoor's Churches;Linear Perspective;Mies's Architecture;St George Bloomsbury;De Heere;St Mary Woolnoth;Redundancy Thesis;Church Act Commission;Christ Child;Accession Day Tilts;Palladian Window;Unshaded State
Contents: Introduction, Caroline van Eck and Edward Winters; Part I The experience of the visual in Art History, Aesthetics and Visual Culture: Visual culture and the history of art, David Peters Corbett; Space without hiding places: Merleau-Ponty's remarks on linear perspective, Ren van de Vall; Aesthetics and visual culture: looking at Andrew Pankhurst's Night Painting, Edward Winters; Ought painting be allowed to die?, Derek Matravers; Part II Elucidating the Visual: Marcus Gheeraerdts Captain Thomas Lee, Lucy Gent; Painting and visuality in Van Dyck's Self-portrait with a Sunflower, John Peacock; Sacred contagion: secular jewellery and votive transvaluation at the Santa Casa, Loreto, 1720-1820, Marcia Pointon; Villas and vision: looking at Palladio's villas from the road, Lex Hermans; Staged experiences: the church designs of Nicholas Hawksmoor, Sophie Ploeg; The unreliable eye: the decline of vision as a reliable source of knowledge in Dutch architectural theory of the nineteenth century, Petra Brouwer; Mies van der Rohe - drawing in space, Victoria Watson; Shadow, shading and outline in architectural engraving from Fr t to Letarouilly, Nicholas Savage; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Van Der Noot;Ma Si;Caroline Van Eck;Disorderly Order;David Peters Corbett;Frank Loops;Derek Matravers;Demarcation Lines;John Peacock;IIT Campus;Lex Hermans;Visual Culture Studies;Lucy Gent;Van Dyck's Self-portrait;Marcia Pointon;Outline Engraving;Nicholas Savage;Alumni Memorial Hall;Petra Brouwer;Geometrical Elevations;RenVan De Vall;Partheneia Sacra;Sophie Ploeg;Outline Etching;Victoria Watson;Hawksmoor's Churches;Linear Perspective;Mies's Architecture;St George Bloomsbury;De Heere;St Mary Woolnoth;Redundancy Thesis;Church Act Commission;Christ Child;Accession Day Tilts;Palladian Window;Unshaded State
