Painting, Science, and the Perception of Coloured Shadows

Painting, Science, and the Perception of Coloured Shadows

'The Most Beautiful Blue'

Smith, Paul

Taylor & Francis Ltd

03/2021

176

Dura

Inglês

9781138488090

15 a 20 dias

598

Descrição não disponível.
1. The Science 2. Light and Dark 3. Physics 4. Contrast 5. Constancy 6. The Criterion 7. Aesthetic Value 8. Conclusion
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Coloured Shadows;color theory;La Farge;color;Edward III;aesthetics;Blue Shadows;philosophy;NGA Image;philosophy of art;Manchester Art Gallery;epistemology;Vice Versa;phenomenology;Beautiful Blue;vision;Bridgeman Images;art and science;Simultaneous Contrast;art and theory;Leonardo's Ideas;theory;Oil On Canvas;art history;Ford Madox Brown;psychology;Hamburger Kunsthalle;neuroscience;Accidental Colours;color constancy;Monge's Theory;history of science;Green Shadows;Wittgenstein;Staatliche Museen Zu Berlin;Merleau-Ponty;Trattato Della Pittura;Leonardo da Vinci;Sun Shine;Pierre-Henri de Valenciennes;Gauguin;perspective;Paul Gauguin;Jacques-Fabien Gautier d'Agoty;Snowy Surface;Goethe;Reduction Screen;dawn;Leonardo's Trattato;dusk;physics;Henry Richter;Philipp Otto Runge;reflections;Carl Gustav Carus;pre-Raphaelites;Impressionists;Count Rumford;Eugene Chevreul;George Field;sixteenth century;seventeenth century;eighteenth century;nineteenth century;Augustus Wall Callcott;John Lafarge;Eugene Delacroix;Pissarro;Gaspard Monge;David Brewster;Charles Blanc;Isaac Milner;John Ruskin;the eye;beauty;Colour constancy;Physical theory;Aesthetic value