Artangel and Financing British Art
-10%
portes grátis
Artangel and Financing British Art
Adapting to Social and Economic Change
Gould, Charlotte
Taylor & Francis Ltd
07/2018
154
Dura
Inglês
9781138489813
15 a 20 dias
520
Descrição não disponível.
Introduction 1. Post-Consensus Cultural Policies and the Hybridisation of Funding: A British Model 2. Artangel, Producing Art in the Post-Consensus Age 3. The Public Art of Artangel 4. Dissemination, the New Sites of Art Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Gogh;The Artangel Trust;Vincent Van Gogh;contemporary art;Tourist Souvenir Shops;Britain;UK Trust;England;Social Participation Results;United Kingdom;Shoreditch Town Hall;London;Project UK;Margaret Thatcher;Yorkshire Sculpture Park;art and politics;Rachel Whiteread's House;art history;Eleventh Hour;cultural policy;British Cultural Policies;public funds;Heygate Estate;private funds;National Portfolio Organisations;corporate funds;Public Art Commissioning;patronage;Tate Modern Turbine Hall;philanthropy;James Lingwood;site-specific art;Dia Art Foundation;locational art;Alain Platel;public space;Barbara Steveni;private space;Queen Elizabeth Hall;public art;Site Specific Art;London Arts Board;Public Art Fund;British Art Scene;Art Historical Canon
Introduction 1. Post-Consensus Cultural Policies and the Hybridisation of Funding: A British Model 2. Artangel, Producing Art in the Post-Consensus Age 3. The Public Art of Artangel 4. Dissemination, the New Sites of Art Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Gogh;The Artangel Trust;Vincent Van Gogh;contemporary art;Tourist Souvenir Shops;Britain;UK Trust;England;Social Participation Results;United Kingdom;Shoreditch Town Hall;London;Project UK;Margaret Thatcher;Yorkshire Sculpture Park;art and politics;Rachel Whiteread's House;art history;Eleventh Hour;cultural policy;British Cultural Policies;public funds;Heygate Estate;private funds;National Portfolio Organisations;corporate funds;Public Art Commissioning;patronage;Tate Modern Turbine Hall;philanthropy;James Lingwood;site-specific art;Dia Art Foundation;locational art;Alain Platel;public space;Barbara Steveni;private space;Queen Elizabeth Hall;public art;Site Specific Art;London Arts Board;Public Art Fund;British Art Scene;Art Historical Canon
