Routledge Handbook of Art, Science, and Technology Studies

Foreword by Trevor Pinch

Foreword by Caroline A. Jones

Introduction: The past, present, and future of Art, Science, and Technology Studies

Hannah Star Rogers and Megan K. Halpern

Section 1: Constructing borders and borders at the intersections of art and science

Hannah Star Rogers

1. What counts as data and for whom? The role of the modest witness in art-science collaboration

Silvia Casini

2. What can science and technology studies learn from art and design? Reflections on 'Synthetic Aesthetics'

Jane Calvert and Pablo Schyfter

3. The skin of a living thought: art, science, and STS in Practice

Hanna Rose Shell

4. Aesthetic strategies for engaging with environmental governance

Christian Nold and Karolina Sobecka

Section 2: Making multidisciplinary histories

Hannah Star Rogers

5. The art-science complex

Chris Salter

6. Infrastructural inversions in sound art and STS

Owen Marshall

7. Emotion, affect and participation: why science communication practitioners should embrace a feminist ethics of care in their work

Britt Wray

8. Robert Hooke's Micrographia: a historical guide to navigating contemporary images

Nina Sellars

9. The Xenopus pregnancy test: a performative experiment

Eben K. Irksey, Dehlia Hannah, Charlie Lotterman, Lisa Jean Moore

Section 3: Methods and modes

Megan K. Halpern

10. Doing research by means of art

Regula Valerie Burri

11. More than human trading zones in design research and pedagogy

Laura Forlano and Carla Sedini

12. Discovering alternative technological futures through literature

Jennifer L. Lieberman

13. Art's Work in the Age of Biotechnology: how art can make arguments in science and technology studies

Hannah Star Rogers

14. Recipes for Technoutopia: on hospitality and infrastructure as experimental performance

Stephanie Beth Steinhardt

15. Reflexivity practiced daily: theatricality in the performative doing of STS

Yelena Gluzman

Section 4: Collaborations and collisions in art-science

Megan K. Halpern

16. Trading between science and art worlds: from biology laboratory to art exhibition

Nora S. Vaage

17. Art, artists, and the wrong kind of science education

Kathryn de Ridder-Vignone

18. Negotiations and love songs: integration, fairness, and balance in an art-science collaboration

Megan K. Halpern

19. Transdisciplinary co-inquiry as curatorial methodology: from the Canadian Arctic to the Calder Valley, Yorkshire

Nicola Triscott and Anna Santomauro

Section 5: Institutions and infrastructures

Kathryn de Ridder-Vignone

20. ArtSciLab: experimental publishing and knowledge production in collaborative transdisciplinary practices

Alex Garcia Topete, Chaz Lilly, Cassini Nazir and Roger F. Malina

21. Polymathic pedagogies: creating the conditions for interdisciplinary enquiry in art and science

Heather Barnett, Nathan Cohen and Adrian Holme

22. The future of arts integrative work: creating new avenues for advancing and expanding the field

Edgar Cardenas, Sandra Rodegher, and Kevin Hamilton

23. Feasting the Lab and other projects: art and science that skirts the limits of institutional frameworks

Jennifer Willet

Section 6: Democracy and activism

Hannah Star Rogers

24. We're all living in an Estroworld

Mary Maggic

25. Rustbelt Theater and citizen science: children's environmental justice narratives

Lissette Lorenz

26. Artificial intelligence experience: participatory art workshops to explore AI imaginaries

Christopher Wood

27. Human germline gene editing is bioart: an open letter to Lulu and Nana

Adam Zaretsky

Section 7: Art as partner and critic

Hannah Star Rogers

28. The power of generative critique in art-energy projects

Lea Schick

29. Hemlock Hospice: landscape ecology, art, and design as science communication

Aaron M. Ellison and David Buckley Borden

30. Horizons of engagement: infrastructures of art and scholarship

Alexandra Lakind, Nicole Bennett and Robert Lundberg

31. Big pigs, small wings: on genohype and artistic autonomy

Ionat Zurr and Oron Catts

Section 8: Exposure to the elements

Dehlia Hannah

32. In the Middle of Something: in Search of Meso-Aesthetics

Andrew S. Yang

33. Curating in-between systems: Politics, ecology, and art

Stefanie Hessler

34. The future now: three tales of ocean plastic

Heather Davis

35. Becoming disaster literate: reflections on X AND BEYOND (2015-2017)

Jacob Lillemose

36. An Anthropocene journey: walking as embodied research

Nick Shepherd and Christian Ernsten

37. As we used to float: within Bikini Atoll

Nadim Samman and Julian Charriere

Section 9: Atmospherics

Dehlia Hannah

38. Archiving Atmosphere

James Graham

39. Becoming tornadic: a meteorology of media

Brett Zehner

40. Environ/mental ecologies in new media art

Anne Sophie Witzke and Jonas Fritsch

41. Changing imaginaries and new technoecologies of urban air

Hanna Husberg and Agata Marzecova

42. Variations on Air

Anne Sophie Witzke and Dehlia Hannah

Section 10: The Gallery

Hannah Rogers

Designer: Molly Renda

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• Impacto da ciência e da tecnologia na sociedade
• Formas de arte
• Sociologia

MIT's Center;STS;Science Communication Project;Arts;Critical Art Ensemble;science studies;Storm Chaser;historiography;Public Engagement;aesthetics;STS Theory;social world;STS Community;culture;Vice Versa;institution;National Academy;PinoneerWorks;Common Language;SLSA;Citizen Science Projects;art-science world;CRISPR;political economies;Harvard Forest;infrastructures;STS Researcher;neoliberal approach;STS Research;education;Art Science Collaboration;Responsibility Research and Innovation;Infrastructural Inversion;science and technology;STS Work;power-structure;STS Perspective;public art;Energy Futures;citizen science;Synthetic Biology;curation;Arts Catalyst;Art criticism;Informal Science Education;plastic arts;Including Art Practice;art-science;SRM Research;commodification;commercialization;marginalization;democracy;activism