Music in Star Trek
-10%
portes grátis
Music in Star Trek
Sound, Utopia, and the Future
Getman, Jessica; McCorkle Okazaki, Brooke; Ware, Evan
Taylor & Francis Ltd
12/2022
310
Mole
Inglês
9781138615250
15 a 20 dias
612
Descrição não disponível.
Preface; Jay Chattaway
Introduction: Hearing Utopia in Star Trek; Jessica Getman, Brooke McCorkle Okazaki, Evan Ware
Star Trek: The Original Series, Utopian/Dystopian Spaces, and Music; Amanda Keeler
The Trouble with Trebles: Orchestration and False Utopias in Star Trek: The Original Series; Reba Wissner
Tracks for Trek: Music in Network Ads for TOS; James Deaville
From Spock with Love: Fan Audio, Participatory Media, and Circulating the Materials of Star Trek Fan Culture; Kate Galloway
Loving Lwaxana, Trek's Sonically Disruptive Diva; Josh Morrison
I, Musician: Humanity, Music, and Artificial Intelligence in the Star Trek Franchise; Jessica Getman
Not Logical, but Often True: The Evolving Role of Religion in Star Trek's Utopia; Naomi Graber
Sinatra in Space: Music for Hope and Loss Beyond the Final Frontier; Timothy Summers
Markers of Utopian Difference: Music in Deep Space Nine (1993-1999) and Voyager (1995-2001); Paul Sommerfield
No, They're Not Gonna Change My Mind: Anti-Fandom and the Enterprise Title Cue; Evan Ware
Navigating Contrasting Styles in the First Three Star Trek Film Scores; Louis Niebur
Songs of the Final Frontier: Listening to Whales in Star Trek IV: The Voyage Home; Sarah Kessler
Days of Utopia Past: Nostalgia and the Star Trek (2009) Soundtrack; Brooke McCorkle Okazaki
Epilogue: The Conflicted Utopias of Star Trek's Renaissance (2017-); Jessica Getman, Brooke McCorkle Okazaki, Evan Ware
Introduction: Hearing Utopia in Star Trek; Jessica Getman, Brooke McCorkle Okazaki, Evan Ware
Star Trek: The Original Series, Utopian/Dystopian Spaces, and Music; Amanda Keeler
The Trouble with Trebles: Orchestration and False Utopias in Star Trek: The Original Series; Reba Wissner
Tracks for Trek: Music in Network Ads for TOS; James Deaville
From Spock with Love: Fan Audio, Participatory Media, and Circulating the Materials of Star Trek Fan Culture; Kate Galloway
Loving Lwaxana, Trek's Sonically Disruptive Diva; Josh Morrison
I, Musician: Humanity, Music, and Artificial Intelligence in the Star Trek Franchise; Jessica Getman
Not Logical, but Often True: The Evolving Role of Religion in Star Trek's Utopia; Naomi Graber
Sinatra in Space: Music for Hope and Loss Beyond the Final Frontier; Timothy Summers
Markers of Utopian Difference: Music in Deep Space Nine (1993-1999) and Voyager (1995-2001); Paul Sommerfield
No, They're Not Gonna Change My Mind: Anti-Fandom and the Enterprise Title Cue; Evan Ware
Navigating Contrasting Styles in the First Three Star Trek Film Scores; Louis Niebur
Songs of the Final Frontier: Listening to Whales in Star Trek IV: The Voyage Home; Sarah Kessler
Days of Utopia Past: Nostalgia and the Star Trek (2009) Soundtrack; Brooke McCorkle Okazaki
Epilogue: The Conflicted Utopias of Star Trek's Renaissance (2017-); Jessica Getman, Brooke McCorkle Okazaki, Evan Ware
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Star Trek;The Next Generation;Voyager;Enterprise;Gene Roddenberry;Deep Space Nine;utopia;dystopia;science fiction;science fiction film;science fiction television;screen music;music and television;soundtrack;musicology;media studies;television studies;popular culture;fandom studies;fandom;fan cultures;Star Trek theme;Star Trek score;sound effects;Deep Space;Humpback Whale;World War III;Star Trek Universe;William Shatner;Star Trek Franchise;Title Cues;Star Trek II;Star Trek Iv;Main Title Theme;Star Trek Fans;Tv Spot;VOY Episode;Leonard Nimoy;Star Trek's Writers;Starfleet Officer;Enterprise Crew;Fan Objects;Whale Song;Captain Pike;Star Trek Films;False Utopia;Unboxing Videos
Preface; Jay Chattaway
Introduction: Hearing Utopia in Star Trek; Jessica Getman, Brooke McCorkle Okazaki, Evan Ware
Star Trek: The Original Series, Utopian/Dystopian Spaces, and Music; Amanda Keeler
The Trouble with Trebles: Orchestration and False Utopias in Star Trek: The Original Series; Reba Wissner
Tracks for Trek: Music in Network Ads for TOS; James Deaville
From Spock with Love: Fan Audio, Participatory Media, and Circulating the Materials of Star Trek Fan Culture; Kate Galloway
Loving Lwaxana, Trek's Sonically Disruptive Diva; Josh Morrison
I, Musician: Humanity, Music, and Artificial Intelligence in the Star Trek Franchise; Jessica Getman
Not Logical, but Often True: The Evolving Role of Religion in Star Trek's Utopia; Naomi Graber
Sinatra in Space: Music for Hope and Loss Beyond the Final Frontier; Timothy Summers
Markers of Utopian Difference: Music in Deep Space Nine (1993-1999) and Voyager (1995-2001); Paul Sommerfield
No, They're Not Gonna Change My Mind: Anti-Fandom and the Enterprise Title Cue; Evan Ware
Navigating Contrasting Styles in the First Three Star Trek Film Scores; Louis Niebur
Songs of the Final Frontier: Listening to Whales in Star Trek IV: The Voyage Home; Sarah Kessler
Days of Utopia Past: Nostalgia and the Star Trek (2009) Soundtrack; Brooke McCorkle Okazaki
Epilogue: The Conflicted Utopias of Star Trek's Renaissance (2017-); Jessica Getman, Brooke McCorkle Okazaki, Evan Ware
Introduction: Hearing Utopia in Star Trek; Jessica Getman, Brooke McCorkle Okazaki, Evan Ware
Star Trek: The Original Series, Utopian/Dystopian Spaces, and Music; Amanda Keeler
The Trouble with Trebles: Orchestration and False Utopias in Star Trek: The Original Series; Reba Wissner
Tracks for Trek: Music in Network Ads for TOS; James Deaville
From Spock with Love: Fan Audio, Participatory Media, and Circulating the Materials of Star Trek Fan Culture; Kate Galloway
Loving Lwaxana, Trek's Sonically Disruptive Diva; Josh Morrison
I, Musician: Humanity, Music, and Artificial Intelligence in the Star Trek Franchise; Jessica Getman
Not Logical, but Often True: The Evolving Role of Religion in Star Trek's Utopia; Naomi Graber
Sinatra in Space: Music for Hope and Loss Beyond the Final Frontier; Timothy Summers
Markers of Utopian Difference: Music in Deep Space Nine (1993-1999) and Voyager (1995-2001); Paul Sommerfield
No, They're Not Gonna Change My Mind: Anti-Fandom and the Enterprise Title Cue; Evan Ware
Navigating Contrasting Styles in the First Three Star Trek Film Scores; Louis Niebur
Songs of the Final Frontier: Listening to Whales in Star Trek IV: The Voyage Home; Sarah Kessler
Days of Utopia Past: Nostalgia and the Star Trek (2009) Soundtrack; Brooke McCorkle Okazaki
Epilogue: The Conflicted Utopias of Star Trek's Renaissance (2017-); Jessica Getman, Brooke McCorkle Okazaki, Evan Ware
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Star Trek;The Next Generation;Voyager;Enterprise;Gene Roddenberry;Deep Space Nine;utopia;dystopia;science fiction;science fiction film;science fiction television;screen music;music and television;soundtrack;musicology;media studies;television studies;popular culture;fandom studies;fandom;fan cultures;Star Trek theme;Star Trek score;sound effects;Deep Space;Humpback Whale;World War III;Star Trek Universe;William Shatner;Star Trek Franchise;Title Cues;Star Trek II;Star Trek Iv;Main Title Theme;Star Trek Fans;Tv Spot;VOY Episode;Leonard Nimoy;Star Trek's Writers;Starfleet Officer;Enterprise Crew;Fan Objects;Whale Song;Captain Pike;Star Trek Films;False Utopia;Unboxing Videos
