Jerzy Grotowski

1. BIOGRAPHY AND CONTEXT Grotowski's formative years Theatre of Productions (1959-69) Theatre of Participation/Paratheatre (1969-78) Theatre of Sources (1976-82) Objective Drama (1983-6) Ritual Arts or Art as Vehicle (1986-99) 2.GROTOWSKI'S KEY WRITINGS "Towards a PoorTheatre" (1965) "Skara Speech" (1966) "Holiday" [Swieto] "The day that is holy" (1970, 1971, 1972) "Theatre of Sources" (1997) "Tu es le fils de quelqu'un (You are someone's son)" (1989) "Performer" (1988) Summary 3.GROTOWSKI AS DIRECTOR Grotowski in rehearsal Grotowski and the actor Analysis of a key production: Akropolis 100 Description of key scenes from Akropolis Paratheatre events Action: the final opus 4.PRACTICAL EXERCISES Preparations The actor's body The actor's presence: to see Untaming Precision Coordination and rhythm The actor's voice: to listen The actor's score: to do The actor's partner: to meet Afterword

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• Teatro: técnica e habilidades de fundo
• Produção de Direcçao teatral
• Estudos teatrais
• Artes de representação (performativas)
• Técnicas de representação

Grotowski's Work;Apocalypsis Cum Figuris;Rena Mirecka;work;Ludwik Flaszen;Jairo Cuesta;Roberto Bacci;Constant Prince;Objective Drama Program;World Performance Laboratory;Grotowski's Research;Paratheatre Activities;Grotowski Centre;Pulsation II;James Slowiak;Transparent Consciousness;Zbigniew Cynkutis;Silent Dance;Maud Robart;Sources Team;Ramana Maharshi;Paratheatre Events;Jerzy Grotowski;Plastic Exercises;Scenic Equivalents;Fyodor Dostoevsky;Zygmunt Molik