Digital Music Distribution
-10%
portes grátis
Digital Music Distribution
The Sociology of Online Music Streams
Spilker, Hendrik Storstein
Taylor & Francis Ltd
09/2017
218
Dura
Inglês
9781138673908
15 a 20 dias
453
Descrição não disponível.
DIGITAL MUSIC DISTRIBUTION: * The sociology of online music streams *Hendrik Storstein Spilker *Table of contents *Acknowledgements *?CHAPTER 1 *Introduction: Digital Dramas *Music On Demand? *The Folding of Technologies *Into and Beyond <> *?CHAPTER 2: *Not only about listening: Understanding the new everyday life of music *Perspectives on the Appropriation of Digital Music *Analyzing youth *The omnipresence and omni-interest in music *Top ten music-related practices *You can always get what you want? *?CHAPTER 3 *The value of access: Negotiating file-sharing and streaming among youth and with parents *Domesticating controversial technologies *Piracy as morality and rebellion *Digital music technologies as generational boundary markers and asymmetries *Reflections on piracy and legality *Together in crime? *Music in context - negotiating other ICT's *An access culture? *?CHAPTER 4 *In search of the hacker-punk: Digital music technologies for countercultural measures? *The promises of Punk Style Do-it-yourself *The Quest for the Hacker Punk *What is so Punk about Punk? *The Digitalized Underground *In Search of the Hacker Punk *The Gap between Near and Bin(e)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Digital Music Distribution;Smart Phones;DRM.;Digital Music Technologies;File Sharing Networks;Open Source;Open Source Code;Digital Music;Pirate Bay;Piracy Cultures;Alternative Revenues Model;Music Industry;Music Counter-culture;Punk Counterculture;Music Counterculture;Cable Tv Company;Punk Movement;Music Industry Representatives;Piracy Wars;Network Studio;Streaming Services;Professional Recording Facilities;DoS Attack;Professional Recording Studios;Initial Focus Group Interviews
DIGITAL MUSIC DISTRIBUTION: * The sociology of online music streams *Hendrik Storstein Spilker *Table of contents *Acknowledgements *?CHAPTER 1 *Introduction: Digital Dramas *Music On Demand? *The Folding of Technologies *Into and Beyond <> *?CHAPTER 2: *Not only about listening: Understanding the new everyday life of music *Perspectives on the Appropriation of Digital Music *Analyzing youth *The omnipresence and omni-interest in music *Top ten music-related practices *You can always get what you want? *?CHAPTER 3 *The value of access: Negotiating file-sharing and streaming among youth and with parents *Domesticating controversial technologies *Piracy as morality and rebellion *Digital music technologies as generational boundary markers and asymmetries *Reflections on piracy and legality *Together in crime? *Music in context - negotiating other ICT's *An access culture? *?CHAPTER 4 *In search of the hacker-punk: Digital music technologies for countercultural measures? *The promises of Punk Style Do-it-yourself *The Quest for the Hacker Punk *What is so Punk about Punk? *The Digitalized Underground *In Search of the Hacker Punk *The Gap between Near and Bin(e)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Digital Music Distribution;Smart Phones;DRM.;Digital Music Technologies;File Sharing Networks;Open Source;Open Source Code;Digital Music;Pirate Bay;Piracy Cultures;Alternative Revenues Model;Music Industry;Music Counter-culture;Punk Counterculture;Music Counterculture;Cable Tv Company;Punk Movement;Music Industry Representatives;Piracy Wars;Network Studio;Streaming Services;Professional Recording Facilities;DoS Attack;Professional Recording Studios;Initial Focus Group Interviews
