Blood and Home in Early Modern Drama

Blood and Home in Early Modern Drama

Domestic Identity on the Renaissance Stage

Balizet, Ariane M.

Taylor & Francis Ltd

08/2018

198

Mole

Inglês

9781138377516

15 a 20 dias

390

Descrição não disponível.
Introduction 1. The Bleeding Bride: Consummation and The "Fight of Love" in Othello, As You Like It, and Cymbeline 2. The Bleeding Husband: Cuckoldry and Murder in Arden of Faversham and A Warning for Fair Women 3. The Bleeding Child: Sons and Daughters in The Spanish Tragedy, Henry VI, and Titus Andronicus 4. The Bleeding Patient: Honor and Bloodline in The Duchess of Malfi, The Maid's Tragedy, and El medico de su honra 5. Afterword
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blood;Renaissance;early modern drama;domestic space;domesticity;early modern England;household;Shakespeare;domestic ideology;marriage;post-Reformation England;bloodstains;patriarchal authority;Bloody Handkerchief;violence and conflict;Early Modern Stage;Young Man;Maid's Tragedy;Son's Blood;Women's Blood;Family Bloodline;Fair Women;Bleeding Child;Early Modern Dramatists;Cliff Ord;Bloody Cloth;Bloody Napkin;Solemnization Ceremony;Daughter's Blood;Early Modern Homes;Wedding Sheets;Sexual Honor;Paternal Grief;Bleeding Son;Wife Murder Plays;Cuckold's Horns;Midsummer Night's Dream;Bleeding Patient