Visual Culture and the Revolutionary and Napoleonic Wars
Visual Culture and the Revolutionary and Napoleonic Wars
Shaw, Philip; Padiyar, Satish; Simpson, Philippa
Taylor & Francis Ltd
10/2018
264
Mole
Inglês
9781138353343
15 a 20 dias
490
Satish Padiyar, Philip Shaw, Philippa Simpson
Part One: Cultures of Participation
The Territorial Imaginary of the Revolutionary and Napoleonic Wars
Katie Hornstein
Beholder, Beheaded: Theatrics of the Guillotine and the Spectacle of Rupture
Stephanie O'Rourke
Smuggled Silhouettes: Opacity and Transparency as Visual Strategies for Negotiating Royal Sovereignty During the Revolutionary and Napoleonic Wars
Allison Goudie
Wargaming: Visualizing Conflict in French Printed Boardgames
Richard Taws
Battle Lines: Drawing, Lithography and the Casualties of War
Sue Walker
Part Two: War and the Image
From the Nore: Turner at the Mouth of the Thames
Richard Johns
Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art
Emma Barker
King Ferdinand's Veto: Goya's 2nd and 3rd May 1808 as Patriotic Failures
Simon Lee
"the most atrocious [acts] one may imagine": The So-called Series of the French Invasions and Anti-French Propaganda During the Peninsular War
Foteini Vlachou
The Comic View of Johnny Newcome's Military Adventures
Neil Ramsey
Part Three: Cultures of Commemoration
Reality Effects: War, Theatre and Re-enactment Around 1800
Gillian Russell
Ephemeral Histories: Social Commemoration of the Revolutionary and Napoleonic Wars in the Paper Collections of Sarah Sophia Banks
Arlene Leis
Exhibiting the Nation's Navy: The Foundation of the "National Gallery of Naval Art," 1795- 1845
Cicely Robinson
Picturing the Battlefield of Victory: Document, Drama, Image
Susan L. Siegfried
Satish Padiyar, Philip Shaw, Philippa Simpson
Part One: Cultures of Participation
The Territorial Imaginary of the Revolutionary and Napoleonic Wars
Katie Hornstein
Beholder, Beheaded: Theatrics of the Guillotine and the Spectacle of Rupture
Stephanie O'Rourke
Smuggled Silhouettes: Opacity and Transparency as Visual Strategies for Negotiating Royal Sovereignty During the Revolutionary and Napoleonic Wars
Allison Goudie
Wargaming: Visualizing Conflict in French Printed Boardgames
Richard Taws
Battle Lines: Drawing, Lithography and the Casualties of War
Sue Walker
Part Two: War and the Image
From the Nore: Turner at the Mouth of the Thames
Richard Johns
Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art
Emma Barker
King Ferdinand's Veto: Goya's 2nd and 3rd May 1808 as Patriotic Failures
Simon Lee
"the most atrocious [acts] one may imagine": The So-called Series of the French Invasions and Anti-French Propaganda During the Peninsular War
Foteini Vlachou
The Comic View of Johnny Newcome's Military Adventures
Neil Ramsey
Part Three: Cultures of Commemoration
Reality Effects: War, Theatre and Re-enactment Around 1800
Gillian Russell
Ephemeral Histories: Social Commemoration of the Revolutionary and Napoleonic Wars in the Paper Collections of Sarah Sophia Banks
Arlene Leis
Exhibiting the Nation's Navy: The Foundation of the "National Gallery of Naval Art," 1795- 1845
Cicely Robinson
Picturing the Battlefield of Victory: Document, Drama, Image
Susan L. Siegfried