Understanding Design in Film Production
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Understanding Design in Film Production
Using Art, Light & Locations to Tell Your Story
Freedman Doyle, Barbara
Taylor & Francis Ltd
03/2019
246
Mole
Inglês
9781138058705
15 a 20 dias
344
Descrição não disponível.
Introduction
SECTION 1-Understanding Design In Film
Chapter 1-What Is Your Movie About?
Chapter 2-Some Components of Visual Design
Chapter 3-The Vision - and Collaboration
SECTION 2-The Collaborators
Chapter 4-Designing, Building, Painting
Chapter 5-The Decorator
Chapter 6-Locations
Chapter 7-Lighting and Picture
Chapter 8-Costumes and Props
Chapter 9-Visual Effects and Animation
Chapter 10-Why All This Talk About Authenticity?
SECTION 3-Your Low Budget Film or TV Project
Chapter 11-Putting All This Together
Chapter 12-Planning Your Project: Building it, Finding it, or Both?
Chapter 13-Shooting Your Film on Distant Location
Chapter 14-Your Process
Chapter 15-Practical Matters: Location Agreements, Permits, Insurance
Chapter 16-How to Be Your Own Location Manager
Chapter 17-What You Need to Do What You Want: Demystifying the Budget
Chapter 18-Learning the Craft: Starting Out
Chapter 19-Doing What You Want with What You Have: Student Films
Chapter 20-Visual Storytelling in Making the Sale
Chapter 21-Entering the Profession
Chapter 22-Suggested Viewing
SECTION 1-Understanding Design In Film
Chapter 1-What Is Your Movie About?
Chapter 2-Some Components of Visual Design
Chapter 3-The Vision - and Collaboration
SECTION 2-The Collaborators
Chapter 4-Designing, Building, Painting
Chapter 5-The Decorator
Chapter 6-Locations
Chapter 7-Lighting and Picture
Chapter 8-Costumes and Props
Chapter 9-Visual Effects and Animation
Chapter 10-Why All This Talk About Authenticity?
SECTION 3-Your Low Budget Film or TV Project
Chapter 11-Putting All This Together
Chapter 12-Planning Your Project: Building it, Finding it, or Both?
Chapter 13-Shooting Your Film on Distant Location
Chapter 14-Your Process
Chapter 15-Practical Matters: Location Agreements, Permits, Insurance
Chapter 16-How to Be Your Own Location Manager
Chapter 17-What You Need to Do What You Want: Demystifying the Budget
Chapter 18-Learning the Craft: Starting Out
Chapter 19-Doing What You Want with What You Have: Student Films
Chapter 20-Visual Storytelling in Making the Sale
Chapter 21-Entering the Profession
Chapter 22-Suggested Viewing
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Grand Budapest Hotel;production design;LA Confidential;locations;Edward Scissorhands;location scouting;Skull Island;location management;Art Department Coordinator;set dressing;Production Schedule;set decorating;Costume Designer;art direction;Golden Gate Bridge;Downtown LA;Non-Stop;Donnie Darko;Great Gatsby;Prep;Tv Series;Set Decorator;Storyboard Artist;Low Budget Project;Blade Runner;Jane The Virgin;Crew Parking;Straw Dolls;Breakfast Club;Assistant Costume;Wo;Tv Spot
Introduction
SECTION 1-Understanding Design In Film
Chapter 1-What Is Your Movie About?
Chapter 2-Some Components of Visual Design
Chapter 3-The Vision - and Collaboration
SECTION 2-The Collaborators
Chapter 4-Designing, Building, Painting
Chapter 5-The Decorator
Chapter 6-Locations
Chapter 7-Lighting and Picture
Chapter 8-Costumes and Props
Chapter 9-Visual Effects and Animation
Chapter 10-Why All This Talk About Authenticity?
SECTION 3-Your Low Budget Film or TV Project
Chapter 11-Putting All This Together
Chapter 12-Planning Your Project: Building it, Finding it, or Both?
Chapter 13-Shooting Your Film on Distant Location
Chapter 14-Your Process
Chapter 15-Practical Matters: Location Agreements, Permits, Insurance
Chapter 16-How to Be Your Own Location Manager
Chapter 17-What You Need to Do What You Want: Demystifying the Budget
Chapter 18-Learning the Craft: Starting Out
Chapter 19-Doing What You Want with What You Have: Student Films
Chapter 20-Visual Storytelling in Making the Sale
Chapter 21-Entering the Profession
Chapter 22-Suggested Viewing
SECTION 1-Understanding Design In Film
Chapter 1-What Is Your Movie About?
Chapter 2-Some Components of Visual Design
Chapter 3-The Vision - and Collaboration
SECTION 2-The Collaborators
Chapter 4-Designing, Building, Painting
Chapter 5-The Decorator
Chapter 6-Locations
Chapter 7-Lighting and Picture
Chapter 8-Costumes and Props
Chapter 9-Visual Effects and Animation
Chapter 10-Why All This Talk About Authenticity?
SECTION 3-Your Low Budget Film or TV Project
Chapter 11-Putting All This Together
Chapter 12-Planning Your Project: Building it, Finding it, or Both?
Chapter 13-Shooting Your Film on Distant Location
Chapter 14-Your Process
Chapter 15-Practical Matters: Location Agreements, Permits, Insurance
Chapter 16-How to Be Your Own Location Manager
Chapter 17-What You Need to Do What You Want: Demystifying the Budget
Chapter 18-Learning the Craft: Starting Out
Chapter 19-Doing What You Want with What You Have: Student Films
Chapter 20-Visual Storytelling in Making the Sale
Chapter 21-Entering the Profession
Chapter 22-Suggested Viewing
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Grand Budapest Hotel;production design;LA Confidential;locations;Edward Scissorhands;location scouting;Skull Island;location management;Art Department Coordinator;set dressing;Production Schedule;set decorating;Costume Designer;art direction;Golden Gate Bridge;Downtown LA;Non-Stop;Donnie Darko;Great Gatsby;Prep;Tv Series;Set Decorator;Storyboard Artist;Low Budget Project;Blade Runner;Jane The Virgin;Crew Parking;Straw Dolls;Breakfast Club;Assistant Costume;Wo;Tv Spot
