Routledge Handbook of Classics and Cognitive Theory

Acknowledgements; Foreword, David Konstan; List of Contributors; Introduction, Peter Meineck, William Michael Short & Jennifer J. Devereaux; Part One: Cognitive Linguistics; 1. Cognitive-Functional Grammar and the Complexity of Early Greek Epic Diction, Ahuvia Kahane; 2. The Cognitive Linguistics of Homeric Surprise, Alexander S. W. Forte; 3. Construal and Immersion, a Cognitive Linguistic Approach to Homeric Immersivity, Rutger J. Allen; 4. Roman Cultural Semantics, William Michael Short; 5. Psycholinguistics and the Classical Languages, Alessandro Vatri; Part Two: Cognitive Literary Theory; 6. The Cognition of Deception: Falsehoods in Homer's Odyssey and their Audiences, Elizabeth Minchin; 7. The Forbidden Fruit of Compression in Homer, Anna Bonifazi; 8. Human Cognition and Narrative Closure: The Odyssey's Open-End, Joel Christensen; 9. "I'll imitate Helen"! Troubling Text-worlds and Schemas in Aristophanes' Thesmophoriazusae, Antonis Tsakmakis; 10. The Body-as-Metaphor in Latin Literature, Jennifer J. Devereaux; Part Three: Social Cognition; 11. Group Identity and Archaic Lyric: We-Group and Out-Group in Alcaeus 129, Jessica Romney; 12. Plato's Dialogically Extended Cognition: Cognitive Transformation as Elenctic Catharsis, Laura Candiotto; 13. Cognitive Dissonance, Defeat, and the Divinization of Demetrius Poliorcetes in Early Hellenistic Athens, Thomas R. Martin; 14. Irony in Theory and Practice. The Test Case of Cicero's Philippics, Luca Grillo; 15. Roman Ritual Orthopraxy and Overimitation, Jacob L. Mackey; 16. Theory of Mind from Athens to Augustine: Divine Omniscience and the Fear of God, Paul C. Dilley; Part Four: Performance and Cognition; 17. Sappho's Kinesthetic Turn: Agency and Embodiment in Archaic Greek Poetry, Sarah Olsen; 18. What Do We Actually See On Stage? A Cognitive Approach to the Interactions Between Visual and Aural Effects in the Performance of Greek Tragedy, Anne-Sophie Noel; 19. Mirth and Creative Cognition in the Spectating of Aristophanic Comedy, Angeliki Varakis-Martin; Part Five: Artificial Intelligence; 20. The Extended Mind of Hephaestus: Automata and Artificial Intelligence in Early Greek Hexameter, Amy Lather; 21. Staging Artificial Intelligence: The Case of Greek Drama, Maria Gerolemou; Part Six: Cognitive Archaeology; 22. Thinking with Statues: The Roman Public Portrait and the Cognition of Commemoration, Diana Y. Ng; 23. Animal Sacrifices in Roman Asia Minor and its Depictions: A Cognitive Approach, Guenter Schoerner; 24. Art, Architecture, and False Memory in the Roman Empire: A Cognitive Perspective, Maggie L. Popkin; Index

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• Cognição e psicologia cognitiva
• História clássica / civilização clássica
• Arqueologia clássica grega e romana
• Neurociências

Young Man;Past Tenses;Cognitive theory and Classics;Cognitive Resource Depletion;Cognitive theory;Goal Demotion;Cognitive science;Text World Theory;Cognitive archaeology;Modern Languages;Theories of Mind;Causally Opaque;Cognitive Historiography;Rhetorica Ad Herennium;Cognitive Science of Religion;Cognitive Linguistics;Social Cognition;Otto's Notebook;Affective Sciences;Aristophanic Comedy;Cognitive Literary Theory;Intonation Units;Oral Formulaic Theory;William Michael Short;False Tale;Jennifer Devereaux;Epic Diction;Ahuvia Kahane;Septimius Severus;Alexander S. W. Forte;Public Portraits;Rutger J. Allan;Startle Reflex;Alessandro Vatri;Aporetic State;Elizabeth Minchin;Latin Speakers;Anna Bonifazi;Divine Omniscience;Joel P. Christensen;Circus Maximus;Antonis Tsakmakis;Lamian War;Jessica Romney;Kinesthetic Empathy;Laura Candiotto;False Memories;Thomas R. Martin;Luca Grillo;Jacob L. Mackey;Paul C. Dilley;Sarah Olsen;Anne-Sophie Noel;Angeliki Varakis-Martin;Amy Lather;Maria Gerolemou;Diana Y. Ng;Guenther Schoerner;Maggie L. Popkin;Western antiquity;mind-brain environment;Classical studies