Production and Consumption of Music in the Digital Age

Production and Consumption of Music in the Digital Age

Virani, Tarek E.; Hracs, Brian J.; Seman, Michael

Taylor & Francis Ltd

02/2018

292

Mole

Inglês

9781138546417

15 a 20 dias

540

Descrição não disponível.
Part I: Introduction

1. Introduction: The Evolving Economic Geography of Music

[Brian J. Hracs, Michael Seman, and Tarek E. Virani]

Part II: Recording

2. Laptops, Pro Tools, and File Transfer Protocols: On the Intensification and Extensification of Recording Work in the Digital Age

[Allan Watson]

3. Disturbing Production: The Effects of Digital Music Production on Music Studios

[David Arditi]

Part III: Working

4. Working Harder and Working Smarter: The Survival Strategies of Contemporary Independent Musicians

[Brian J. Hracs]

5. From Artist to Entrepreneur: The Working Lives of London-Based Rappers

[Laura Speers]

6. Hip-Hop Tunity: Challenges and Opportunities for Indie Hip-Hop Artists in the Dutch Music Industry

[Joni R. Haijen]

7. "Working at the Candy Factory": The Limits of Nonmonetary Rewards in Record Industry Careers

[Alexandre Frenette]

Part IV: Playing

8. The Resilience of a Local Music Scene in Dalston, London

[Tarek E. Virani]

9. Landscapes of Performance and Technological Change: Music Venues in Pittsburgh, Pennsylvania and Nashville, Tennessee

[Ola Johansson, Margaret M. Gripshover, and Thomas L. Bell]

10. What's the "Newport Effect"?: Music Festivals, Touring, and Reputations in the Digital Age

[Jonathan R. Wynn and Rodrigo Dominguez-Villegas]

11. Musicians and Temporary Spaces: The Case of Music Festivals in Sweden

[Johan Jansson and Jimi Nilsson]

Part V: Distributing

12. Exploring the "360 Degree" Blur: Digitization, Sonic Capital, and the Strategic Orientations of Electronic Indie Labels

[Hans-Joachim Buerkner]

13. More Than Just Bytes?: Responses to Digitization in the Paris Cluster of World Music Production

[Amanda Brandellero and Robert C. Kloosterman]

14. Emotional Landscapes and the Evolution of Vinyl Record Retail: A Case Study of Highland Park, Los Angeles

[Tyler Sonnichsen]

15. Music Rights: Towards a Material Geography of Musical Practices in the "Digital Age"

[Andy C. Pratt]

Part VI: Promoting and Consuming

16. Unpacking the "Digital Habitus" of Music Fans in Santiago's Indie Music Scene

[Arturo Arriagada]

17. The Evolution of Music Tastemakers in the Digital Age: The Rise of Algorithms and the Response of Journalists

[Bastian Lange]

18. Leveraging Affect: Mobilizing Enthusiasm and the Co-Production of the Musical Economy

[Andrew Leyshon, Nigel Thrift, Louise Crewe, Shaun French, and Pete Webb]
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Pay For Performances;industry;UK Hip Hop;scene;Smart Phones;record;London Hip Hop Scene;shops;Experimental Music Scene;label;Major Record Labels;major;Music Industry;labels;Recording Studios;independent;Digital Revolution;musicians;Newport Folk Festival;journalists;Mount Analog;Hip Hop Scene;World Music Production;Home Studio;Semantic Web;Global Music Scenes;EDM;Face To Face;Music Industry Work;Highland Park;Maison Des Cultures Du Monde;Local Music Scene;Crowdfunding Platforms;Music Fans;Record Collecting