Nineteenth-Century Novel: Identities

PART 1 Introduction to part 1 CHAPTER 1 Madame Bovary : a novel about nothing CHAPTER 2 Madame Bovary : becoming a heroine CHAPTER 3 7#GBP Woman in White: sensationalism, secrets and spying CHAPTER 4 Drawing a blank: the construction of identity in The Woman in White CHAPTER 5 The Portrait of a Lady and the 'house of fiction' CHAPTER 6 The Portrait of a Lady : identity and gender CHAPTER 7 'The art of fiction' : Henry James as critic CHAPTER 8 Books and their readers - part 1 PART 2 Introduction to part 2 CHAPTER 9 Dracula-, a fin-de-siecle fantasy CHAPTER 10 Dracula: narrative strategies and nineteenth-century fears CHAPTER 11 The Awakening, identities CHAPTER 12 The Awakening, contexts CHAPTER 13 Joseph Conrad and the imperial vision: Heart of Darkness CHAPTER 14 Heart of Darkness: plots, parallels and post-colonialism CHAPTER 15 Books and their readers - part 2

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• Estudos literários: ficção, romancistas e escritores de prosa
• Estudos literários: c 1800 a c 1900

psychoanalysis;modern novel-criticism;human psychology;gender identity;nineteenth century;Young Men;Plaster Of Paris;Mrs Henry Wood;Independent Woman;Arthur Holmwood;Wild Men;Fireman;Madame Bovary;Chopin;John Singer Sargent;Anne Catherick;Kate Chopin;Subsequent Page References;Net Book Agreement;Edna Pontellier;Superb;Dead Pan;Mr Fairlie;Count Fosco;Sensation Fiction;Grand Isle;Walter Hartright;Charles Bovary;James's Preface;Sebastian Melmoth