Revisiting the Historiography of Postwar Avant-Garde Music

1 Introduction: Revisiting Old Stories of New Music

Anne-Sylvie Barthel-Calvet and Christopher Brent Murray

2 Recent Histories of Twentieth-Century Music and the Historiographical Tradition

Martin Kaltenecker

3 Continuity in the Creative Auto-Genealogies of Boulez, Stockhausen, Pousseur, and Nono

Pascal Decroupet

4 Inventing a Genre: Mauricio Kagel and Instrumental Theater

Jean-Francois Trubert

5 The Songs of Koma Pio and Hele Marsiale in Olivier Messiaen's Ile de feu Etudes

Christopher Brent Murray

6 A New Patronage Model in Postwar America: Luciano Berio, Philanthropy, and the Economics of Culture

Tiffany Kuo

7 Iannis Xenakis and the Men of Information Theory

Anne-Sylvie Barthel-Calvet

8 Open Works on Record: An Unsung Mediation

Jonathan Goldman

9 Making Audible the Mysteries of Sound: An Alternative Historiography for the Musical Avant-Garde from Varese to Grisey

Pascal Decroupet

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Columbia Princeton Electronic Music Center;Mathias Spahlinger;El Amor Brujo;Westdeutscher Rundfunk;Avant Garde Music;Spectral Richness;Iannis Xenakis;Pierrot Lunaire;Yvonne Loriod;Hermann Scherchen;Gesang Der;Pierre Boulez;Electroacoustic Music;Webern's Music;Instrumental Theater;Webern's Op;Maze Scores;Performing Arts Organizations;Betsy Jolas;Darmstadt Summer Courses;Kagel's Music;Schola Cantorum;ISCM Festival;La Revue Musicale;Semantic Information