Rethinking Difference in Gender, Sexuality, and Popular Music
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Rethinking Difference in Gender, Sexuality, and Popular Music
Theory and Politics of Ambiguity
Lee, Gavin
Taylor & Francis Ltd
02/2018
208
Dura
Inglês
9781138960053
15 a 20 dias
385
Descrição não disponível.
1. Introduction: from difference to ambiguity Gavin Lee 2. When the bearded lady sings: ambiguity aesthetics, queer identity, and the gendering of the presentational voice Mario Rey 3. Detournement and female punk bands of the 1970s Helen L. Reddington 4. Ambiguities of S/M and goth cultures' sex/gender identity politics Carol Siegel 5. Flower in the mirror and moon in the water: the ambiguity of gender, genre, and politics of Li Yugang Qian Wang 6. What counts as "queer" in an historical context?: cross dressing in nineteenth-century theatre Gillian M. Rodger 7. Funny girls and nowhere boys: reversing the gaze in the popular music biopic Matthew Bannister 8. "I'ma school that bitch": gay rappers defying binaries and expressing fierceness Kirsten Zemke and Jared Mackley-Crump 9. Queer desire is not gay, gender is a fantasy: ways of loving Britney Gavin Lee 10. "Blackness in a white void": dissonance and ambiguity in Isaac Julien's multi-screen film installations Ellie M. Hisama Afterword: the world only spins forward Paul Attinello
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Li Yugang;Gay Male Rappers;Music;Queer Hip Hop;Research;Female Punk Bands;Popular Music;Drag Queen Performers;Global Popular Music;Younger Men;Gender Studies;Music Biopics;Gender;Goth Music;Sexuality;Cross-gender Performance;Queer Studies;Thompson's Troupe;Sound Studies;Goth Band;Ambiguity;Binary Gender Model;Music and Gender;Homo Hop;Vice Versa;Punk;Peking Opera;Queer Music;Funny Girl;Ethnomusicology;Performer's Subjectivity;Heteronormativity;Pop Star;Crossdressing;Multiscreen Installation;Christian Music;True North;Paul Attinello;Male Impersonators;Mario Rey;Psychical Intensity;Helen L. Reddington;Queer Desire;Carol Siegel;Queer Gaze;Qian Wang;Queer Role Model;Gillian M. Rodger;Matthew Bannister;Kirsten Zemke;Jared Mackley-Crump;Ellie M. Hisama
1. Introduction: from difference to ambiguity Gavin Lee 2. When the bearded lady sings: ambiguity aesthetics, queer identity, and the gendering of the presentational voice Mario Rey 3. Detournement and female punk bands of the 1970s Helen L. Reddington 4. Ambiguities of S/M and goth cultures' sex/gender identity politics Carol Siegel 5. Flower in the mirror and moon in the water: the ambiguity of gender, genre, and politics of Li Yugang Qian Wang 6. What counts as "queer" in an historical context?: cross dressing in nineteenth-century theatre Gillian M. Rodger 7. Funny girls and nowhere boys: reversing the gaze in the popular music biopic Matthew Bannister 8. "I'ma school that bitch": gay rappers defying binaries and expressing fierceness Kirsten Zemke and Jared Mackley-Crump 9. Queer desire is not gay, gender is a fantasy: ways of loving Britney Gavin Lee 10. "Blackness in a white void": dissonance and ambiguity in Isaac Julien's multi-screen film installations Ellie M. Hisama Afterword: the world only spins forward Paul Attinello
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Li Yugang;Gay Male Rappers;Music;Queer Hip Hop;Research;Female Punk Bands;Popular Music;Drag Queen Performers;Global Popular Music;Younger Men;Gender Studies;Music Biopics;Gender;Goth Music;Sexuality;Cross-gender Performance;Queer Studies;Thompson's Troupe;Sound Studies;Goth Band;Ambiguity;Binary Gender Model;Music and Gender;Homo Hop;Vice Versa;Punk;Peking Opera;Queer Music;Funny Girl;Ethnomusicology;Performer's Subjectivity;Heteronormativity;Pop Star;Crossdressing;Multiscreen Installation;Christian Music;True North;Paul Attinello;Male Impersonators;Mario Rey;Psychical Intensity;Helen L. Reddington;Queer Desire;Carol Siegel;Queer Gaze;Qian Wang;Queer Role Model;Gillian M. Rodger;Matthew Bannister;Kirsten Zemke;Jared Mackley-Crump;Ellie M. Hisama
