Reading and Writing a Screenplay
-10%
portes grátis
Reading and Writing a Screenplay
Fiction, Documentary and New Media
Raynauld, Isabelle
Taylor & Francis Ltd
04/2019
234
Dura
Inglês
9781138476752
15 a 20 dias
620
Descrição não disponível.
Acknowledgements
Introduction: The screenplay as text
1. What constitutes a "good" screenplay?
2. The screenplay as text
3. Ideas, writing in stages and types of documents
4. What does screenwriting share with editing principles?
5. Structures
6. Point of view: telling a story from a certain perspective
7. The scene
8. The character
9. Writing sound
10. Writing for documentary
11. New media, new forms of writing: towards expanded screenwriting practices
12. Reading a screenplay: reading modes from analysis to writing
Conclusion
Bibliography
Index
Introduction: The screenplay as text
1. What constitutes a "good" screenplay?
2. The screenplay as text
3. Ideas, writing in stages and types of documents
4. What does screenwriting share with editing principles?
5. Structures
6. Point of view: telling a story from a certain perspective
7. The scene
8. The character
9. Writing sound
10. Writing for documentary
11. New media, new forms of writing: towards expanded screenwriting practices
12. Reading a screenplay: reading modes from analysis to writing
Conclusion
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;script;Quebec Student Strike;characters;Water Falling;structure;Le Fabuleux Destin;creative writing;Bourne Identity;scriptwriting;Pan's Labyrinth;screenwriting;Jacques Le Fataliste;writing;PARIS;reading;Hiroshima Mon Amour;screenplay;British Film Institute's Collection;Fort McMoney;Main Character;Screenplay Reader;Dallas Buyer's Club;Future Film;Screenwriting Process;Screenwriting Practices;Screenwriting Books;Male Voice;Scene Directions;Amores Perros;Documentary Film Proposal;Scene Descriptions;Ernst Lubitsch;Writing Sound
Acknowledgements
Introduction: The screenplay as text
1. What constitutes a "good" screenplay?
2. The screenplay as text
3. Ideas, writing in stages and types of documents
4. What does screenwriting share with editing principles?
5. Structures
6. Point of view: telling a story from a certain perspective
7. The scene
8. The character
9. Writing sound
10. Writing for documentary
11. New media, new forms of writing: towards expanded screenwriting practices
12. Reading a screenplay: reading modes from analysis to writing
Conclusion
Bibliography
Index
Introduction: The screenplay as text
1. What constitutes a "good" screenplay?
2. The screenplay as text
3. Ideas, writing in stages and types of documents
4. What does screenwriting share with editing principles?
5. Structures
6. Point of view: telling a story from a certain perspective
7. The scene
8. The character
9. Writing sound
10. Writing for documentary
11. New media, new forms of writing: towards expanded screenwriting practices
12. Reading a screenplay: reading modes from analysis to writing
Conclusion
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;script;Quebec Student Strike;characters;Water Falling;structure;Le Fabuleux Destin;creative writing;Bourne Identity;scriptwriting;Pan's Labyrinth;screenwriting;Jacques Le Fataliste;writing;PARIS;reading;Hiroshima Mon Amour;screenplay;British Film Institute's Collection;Fort McMoney;Main Character;Screenplay Reader;Dallas Buyer's Club;Future Film;Screenwriting Process;Screenwriting Practices;Screenwriting Books;Male Voice;Scene Directions;Amores Perros;Documentary Film Proposal;Scene Descriptions;Ernst Lubitsch;Writing Sound