Re-reading the Monstrous-Feminine

1. Re-Reading The Monstrous-Feminine: new approaches to psychoanalytic theory, affect, film and art Part I: Introduction: Feminism and Psychoanalysis 2. Symmetry and Incident: Laura Mulvey in Conversation with Nicholas Chare 3. A Dream of Bare Arms: 'Womanliness', Dirt, and a Quest for Knowledge 4. Feminism, Film, and Theory Now Part II: Introduction: Expanding the Monstrous Feminine 5. The Monstrous-Feminine, Then and Now: Barbara Creed in Conversation with Nicholas Chare 6. Abjection Beyond Tears: Ellyn Burstyn as Liminal (On Set) Mother in The Exorcist 7. Carrie's Sisters: New Blood in Contemporary Female Horror Cinema Part III: Introduction: Reproductive and Post-Reproductive Bodies and the Monstrous-Feminine 8. 'I will not be that girl in the box': The Handmaid's Tale, Monstrous Wombs and Trump's America 9. 'From a speculative point of view I wondered which of us I was': Rereading Old Women 10. The"Monstrous-Feminine": Dementia, Psychoanalysis and Mother-Daughter Relations in Dana Walrath's Aliceheimer's Part IV: Introduction: Rethinking the Monstrous-Feminine through a Transnational Frame 11. Polluted Water: Demotic Thai Cinema and Queer Abjection in the Films of Poj Arnon 12. The Monstrous-Feminine in the Millenial Japanese Horror Film: Problematic M(O)thers and their Monstrous Children in Ringu, Honogurai mizo no soko kara and Ju-On 13. Women in the Way? Re-reading The monstrous-feminine in contemporary Slovenian cinema 14. In-Your-Face: The Monstrous-Feminine in Photography, Performance Art, Multimedia and Painting

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• Os estudos de gênero, grupos de gênero
• Estudos de meios de comunicação
• Teoria de arte
• Humanidades
• Estudos cultirais
• Sociologia
• Psicoterapia
• Teoria psicanalítica (Psicologia Freudiana)
• O feminismo e teoria feminista

Young Man;Schneemann;film studies;Horror Movie;art history;Monstrous Feminine;gender;Archaic Mother;cultural studies;Barbara Creed;Rape Revenge Film;horror;Female Monstrosity;cinema studies;Female Ghosts;film theory;Japanese Horror Films;Psychoanalytic theory;Slovenian Cinema;sexuality;Handmaid's Tale;Creed's theory;Hannah Cullwick;monstrous-feminine;Thai Cinema;woman's victimhood;Hearing Trumpet;psychoanalytic film theory;Carrington's Work;Horror Aesthetics;Creative Practice Account;Japanese Horror;Vagina Dentata;Final Girl;Horror Films;Monstrous Wombs;Riviere's Patients;Sea Water