Music Psychology
-10%
portes grátis
Music Psychology
Kurth, Ernst; Neidhoefer, Christoph; Tan, Daphne
Taylor & Francis Ltd
03/2022
298
Dura
Inglês
9781138234093
15 a 20 dias
371
Descrição não disponível.
Section 1. Tone Psychology and Music Psychology
Chapter 1. Initial consideration: the phenomenon of tone
Chapter 2. The structure of the experiences of tone
Chapter 3. Areas and boundaries of music psychology
Section 2. Force, Space, Matter
Chapter 1. Energy from a psychological perspective
Chapter 2. The problem of the image of motion [Bewegungsbild]
Chapter 3. Psychic and physical energy
Chapter 4. The musical phenomenon of space
Chapter 5. The matter-illusion
Section 3. Phenomenal Forms of Sonic Material
Chapter 1. Harmony [Zusammenklang]
Chapter 2. The Dynamism of Sound
Chapter 3. Chordal Motion
Section 4. Phenomenal Forms of Movement
Chapter 1. On the psychology of the concept of form
Chapter 2. Basic psychic functions in melodic formation
Chapter 3. Rhythmic continuous forms
Chapter 1. Initial consideration: the phenomenon of tone
Chapter 2. The structure of the experiences of tone
Chapter 3. Areas and boundaries of music psychology
Section 2. Force, Space, Matter
Chapter 1. Energy from a psychological perspective
Chapter 2. The problem of the image of motion [Bewegungsbild]
Chapter 3. Psychic and physical energy
Chapter 4. The musical phenomenon of space
Chapter 5. The matter-illusion
Section 3. Phenomenal Forms of Sonic Material
Chapter 1. Harmony [Zusammenklang]
Chapter 2. The Dynamism of Sound
Chapter 3. Chordal Motion
Section 4. Phenomenal Forms of Movement
Chapter 1. On the psychology of the concept of form
Chapter 2. Basic psychic functions in melodic formation
Chapter 3. Rhythmic continuous forms
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Individual Tones;Music Psychology;Tone Psychology;Chordal Tensions;Pitch Height;Dense;Dim;Single Tone;Accentual Rhythm;Hold;Sonic Material;Psychic Phenomenon;Follow;Spatial Impression;Entire Chord;Primary Tones;Feeds Back;Sustained Tone;Gravitational Point;Developmental Motives;Aural Impression;Enharmonic Reinterpretation;Individual Intervals;Mozart;Sounding Stimuli
Section 1. Tone Psychology and Music Psychology
Chapter 1. Initial consideration: the phenomenon of tone
Chapter 2. The structure of the experiences of tone
Chapter 3. Areas and boundaries of music psychology
Section 2. Force, Space, Matter
Chapter 1. Energy from a psychological perspective
Chapter 2. The problem of the image of motion [Bewegungsbild]
Chapter 3. Psychic and physical energy
Chapter 4. The musical phenomenon of space
Chapter 5. The matter-illusion
Section 3. Phenomenal Forms of Sonic Material
Chapter 1. Harmony [Zusammenklang]
Chapter 2. The Dynamism of Sound
Chapter 3. Chordal Motion
Section 4. Phenomenal Forms of Movement
Chapter 1. On the psychology of the concept of form
Chapter 2. Basic psychic functions in melodic formation
Chapter 3. Rhythmic continuous forms
Chapter 1. Initial consideration: the phenomenon of tone
Chapter 2. The structure of the experiences of tone
Chapter 3. Areas and boundaries of music psychology
Section 2. Force, Space, Matter
Chapter 1. Energy from a psychological perspective
Chapter 2. The problem of the image of motion [Bewegungsbild]
Chapter 3. Psychic and physical energy
Chapter 4. The musical phenomenon of space
Chapter 5. The matter-illusion
Section 3. Phenomenal Forms of Sonic Material
Chapter 1. Harmony [Zusammenklang]
Chapter 2. The Dynamism of Sound
Chapter 3. Chordal Motion
Section 4. Phenomenal Forms of Movement
Chapter 1. On the psychology of the concept of form
Chapter 2. Basic psychic functions in melodic formation
Chapter 3. Rhythmic continuous forms
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Individual Tones;Music Psychology;Tone Psychology;Chordal Tensions;Pitch Height;Dense;Dim;Single Tone;Accentual Rhythm;Hold;Sonic Material;Psychic Phenomenon;Follow;Spatial Impression;Entire Chord;Primary Tones;Feeds Back;Sustained Tone;Gravitational Point;Developmental Motives;Aural Impression;Enharmonic Reinterpretation;Individual Intervals;Mozart;Sounding Stimuli
