Music Production

Music Production

Learn How to Record, Mix, and Master Music

Weekhout, Hans

Taylor & Francis Ltd

07/2019

394

Dura

Inglês

9781138626096

15 a 20 dias

890

Descrição não disponível.
PREFACE



INTRODUCTION

PART I RECORDING

* 1/ PRODUCTION: THE STUDIO AS AN INSTRUMENT

* 2/ IN THE STUDIO

* 3/ ANALOG RECORDING

* 4/ SPEAKERS AND ACOUSTICS

* 5/ MICROPHONES

* 6/ RECORDING TECHNIQUES

* 7/ RECORDING | DRUMS AND PERCUSSION

* 8/ RECORDING | OTHER INSTRUMENTS

* 9/ DIGITAL AUDIO WORKSTATION AND MIDI

* 10/ RECORDING ON THE COMPUTER

* 11/ THE RECORDING SESSION

PART II MIXING

* 12/ EFFECTS | EQUALIZERS

* 13/ EFFECTS | ECHO/DELAY

* 14/ EFFECTS | REVERB

* 15/ EFFECTS | COMPRESSION AND LIMITING

* 16/ ORGANIZING A PROJECT

* 17/ SETTING GOALS FOR THE MIX

* 18/ WORKFLOW OF THE MIX

* 19/ MIXING | DRUMS

* 20/ MIXING | BASS

* 21/ MIXING | GUITAR

* 22/ MIXING | KEYBOARDS

* 23/ MIXING | VOCALS

* 24/ GETTING MORE FROM THE MIX, COMMON MISTAKES

* 25/ BOUNCING THE MIX

PART III ADVANCED MIXING TECHNIQUES

* 26/ VINTAGE EQ AND COMPRESSION

* ADVANCED MIXING TECHNIQUES | INTRODUCTION

* 27/ ADVANCED MIXING TECHNIQUES | DRUMS

* 28/ ADVANCED MIXING TECHNIQUES | BASS

* 29/ ADVANCED MIXING TECHNIQUES | GUITAR

* 30/ ADVANCED MIXING TECHNIQUES | VOCALS

PART IV MASTERING

* 31/ MASTERING

* 32/ DIY MASTERING

* 33/ JUST ONE LOUDER

PART V APPENDICIES

* APPENDIX 1 | CHARACTERISTICS OF SOUND

* APPENDIX 2 | OUR HEARING

* INDEX
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Bass Traps;sounding mixes;Linear Phase Equalizers;music production;Teletronix LA2A;pop music;Vice Versa;live recordings;DPA;Brickwall Limiter;Pro Tools;Sennheiser MD421;Playback;Mix Bus;Ping Pong Delay;Unique Sound;Large Diaphragm Condenser;Multiband Compression;Condenser Mic;FET;Universal Audio;Gated Reverb;Reverb Plugin;Strip Silence;Audio Interface;Convolution Reverb;Avid's Pro Tools;Gain Reduction;Bass Drum