Losing One's Head in the Ancient Near East
-10%
portes grátis
Losing One's Head in the Ancient Near East
Interpretation and Meaning of Decapitation
Dolce, Rita
Taylor & Francis Ltd
12/2017
92
Dura
Inglês
9781138067486
15 a 20 dias
360
Descrição não disponível.
List of Illustrations
Preface
Acknowledgements
Image Credits
Abbreviations
Introduction
Chapter I
I.1. From the Distant Past to the Recent Past
I.2. An Unrepeatable Act
I.3. The Headless Body: Anonymity/Identity
Chapter II
II.1. Exclusivity/Multiplicity
II.2. Exhibition/Quantification
Chapter III
III.1. What Happens to the "Coveted Object"?
III.2. Destinations/Motivations
III.3. Exhibition and Multivalence
Chapter IV
IV.1. Severed Heads and Birds of Prey
IV.2. Eannatum of Lagash and the Birds of Prey
IV.3. Mari and the Birds of Prey
IV.4. Sargon I of Akkad and the Birds of Prey
IV.5. Dadusha of Eshnunna and the Birds of Prey
IV.6. The Assyrians and the Birds of Prey
Chapter V
V.1. Moving Through Space and Time
V.2. How Does the Head Travel?
Chapter VI
VI.1. "Other" Decapitations in Times of War
VI.2. What Happens to the Severed Heads of Statues?
VI.3. Moving Through Space and Time
VI.4. Annihilation/Catharsis
Bibliography
Index
Preface
Acknowledgements
Image Credits
Abbreviations
Introduction
Chapter I
I.1. From the Distant Past to the Recent Past
I.2. An Unrepeatable Act
I.3. The Headless Body: Anonymity/Identity
Chapter II
II.1. Exclusivity/Multiplicity
II.2. Exhibition/Quantification
Chapter III
III.1. What Happens to the "Coveted Object"?
III.2. Destinations/Motivations
III.3. Exhibition and Multivalence
Chapter IV
IV.1. Severed Heads and Birds of Prey
IV.2. Eannatum of Lagash and the Birds of Prey
IV.3. Mari and the Birds of Prey
IV.4. Sargon I of Akkad and the Birds of Prey
IV.5. Dadusha of Eshnunna and the Birds of Prey
IV.6. The Assyrians and the Birds of Prey
Chapter V
V.1. Moving Through Space and Time
V.2. How Does the Head Travel?
Chapter VI
VI.1. "Other" Decapitations in Times of War
VI.2. What Happens to the Severed Heads of Statues?
VI.3. Moving Through Space and Time
VI.4. Annihilation/Catharsis
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Millennium Bc;South West Palace;decapitation in the ancient near east;Held;mesopotamian art;Coveted Object;mesopotamian iconography;Eighth Century Bc;ancient syrian art;Ninth Century Bc;ancient syrian iconography;Early Dynastic;pre-classical Near East;Neo-Assyrian Reliefs;Anatolian art;Conferring;Anatolian iconography;Neo-Assyrian Period;ancient syria;Ashurnasirpal II;ancient mesopotamia;Til Barsip;ancient anatolia;North West Palace;war in the ancient near east;PPNB;ancient warfare;North Palace;ancient near eastern warfare;Proto-Historical Period;war in ancient mesopotamia;Scribes;war in ancient syria;North;war in ancient anatolia;Mid-third Millennium Bc;Neo-Assyrian iconography;Eighteenth Century Bc;capital punishment in the ancient near east;Central Palace;Neo-Assyrian art;Thirteenth Century Bc;capital punishment in the ancient world;Early Dynastic Mesopotamia;Tiglathpileser I;Oversized Heads;Assurnasirpal II;Cylinder Seal Impression;art from ebla;art from mari;Amorrite Mari;Balawat gate;Salmanasar III;gardens of Niniveh;palace of Assurbanipal;stele of Dadusha;stele of Eannatum of Lagash;Royal Archives of ebla;statue of the ensi Enmetena
List of Illustrations
Preface
Acknowledgements
Image Credits
Abbreviations
Introduction
Chapter I
I.1. From the Distant Past to the Recent Past
I.2. An Unrepeatable Act
I.3. The Headless Body: Anonymity/Identity
Chapter II
II.1. Exclusivity/Multiplicity
II.2. Exhibition/Quantification
Chapter III
III.1. What Happens to the "Coveted Object"?
III.2. Destinations/Motivations
III.3. Exhibition and Multivalence
Chapter IV
IV.1. Severed Heads and Birds of Prey
IV.2. Eannatum of Lagash and the Birds of Prey
IV.3. Mari and the Birds of Prey
IV.4. Sargon I of Akkad and the Birds of Prey
IV.5. Dadusha of Eshnunna and the Birds of Prey
IV.6. The Assyrians and the Birds of Prey
Chapter V
V.1. Moving Through Space and Time
V.2. How Does the Head Travel?
Chapter VI
VI.1. "Other" Decapitations in Times of War
VI.2. What Happens to the Severed Heads of Statues?
VI.3. Moving Through Space and Time
VI.4. Annihilation/Catharsis
Bibliography
Index
Preface
Acknowledgements
Image Credits
Abbreviations
Introduction
Chapter I
I.1. From the Distant Past to the Recent Past
I.2. An Unrepeatable Act
I.3. The Headless Body: Anonymity/Identity
Chapter II
II.1. Exclusivity/Multiplicity
II.2. Exhibition/Quantification
Chapter III
III.1. What Happens to the "Coveted Object"?
III.2. Destinations/Motivations
III.3. Exhibition and Multivalence
Chapter IV
IV.1. Severed Heads and Birds of Prey
IV.2. Eannatum of Lagash and the Birds of Prey
IV.3. Mari and the Birds of Prey
IV.4. Sargon I of Akkad and the Birds of Prey
IV.5. Dadusha of Eshnunna and the Birds of Prey
IV.6. The Assyrians and the Birds of Prey
Chapter V
V.1. Moving Through Space and Time
V.2. How Does the Head Travel?
Chapter VI
VI.1. "Other" Decapitations in Times of War
VI.2. What Happens to the Severed Heads of Statues?
VI.3. Moving Through Space and Time
VI.4. Annihilation/Catharsis
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Millennium Bc;South West Palace;decapitation in the ancient near east;Held;mesopotamian art;Coveted Object;mesopotamian iconography;Eighth Century Bc;ancient syrian art;Ninth Century Bc;ancient syrian iconography;Early Dynastic;pre-classical Near East;Neo-Assyrian Reliefs;Anatolian art;Conferring;Anatolian iconography;Neo-Assyrian Period;ancient syria;Ashurnasirpal II;ancient mesopotamia;Til Barsip;ancient anatolia;North West Palace;war in the ancient near east;PPNB;ancient warfare;North Palace;ancient near eastern warfare;Proto-Historical Period;war in ancient mesopotamia;Scribes;war in ancient syria;North;war in ancient anatolia;Mid-third Millennium Bc;Neo-Assyrian iconography;Eighteenth Century Bc;capital punishment in the ancient near east;Central Palace;Neo-Assyrian art;Thirteenth Century Bc;capital punishment in the ancient world;Early Dynastic Mesopotamia;Tiglathpileser I;Oversized Heads;Assurnasirpal II;Cylinder Seal Impression;art from ebla;art from mari;Amorrite Mari;Balawat gate;Salmanasar III;gardens of Niniveh;palace of Assurbanipal;stele of Dadusha;stele of Eannatum of Lagash;Royal Archives of ebla;statue of the ensi Enmetena
