Giovanni Gabrieli and His Contemporaries

Contents: Introduction; Newly discovered manuscript parts and annotations in a copy of Giovanni Gabrieli's Symphoniae sacrae (1615); Giovanni Gabrieli's Sacrae symphoniae (Venice, 1597): some rediscovered partbooks with new evidence about performance practice; A new keyboard work by Giovanni Gabrieli and the relevance of its compositional technique; Autographs of John Coprario; 'Fuerunt mihi lacrymae': Alfonso Ferrabosco the Elder or the Younger?; A rediscovered manuscript source with some previously unknown works by John Jenkins, William Lawes and Benjamin Rogers; New motets by Hans Leo Hassler: indications of second thoughts; A newly discovered songbook in Poland with works by Henry Lawes and his contemporaries; An early-17th-century collection of sacred vocal music and its Augsburg connections; New connections between Eastern Europe and works by Philips, Dowland, Marais and others; A neglected anthology of sacred vocal music dating from the 16th century; Addenda and corrigenda; Indexes.

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Giovanni Gabrieli;Staatsbibliothek Zu Berlin;Adam Gumpelzhaimer;Tenor Partbook;Biblioteka Jagiellonska;Andrea Gabrieli;Sacred Vocal Works;Jubilate Deo;Sacrae Symphoniae;Biblioteka Uniwersytecka;Secunda Pars;German Organ Tablature;Preussischer Kulturbesitz;Bass Viol;Primus Chorus;Cantate Domino Canticum Novum;John Coprario;Sacred Vocal Music;Christ Church Library;Alfonso Ferrabosco;Gabrieli Work;Biblioteca Nazionale Universitaria;Surrexit Christus;Vocal Soloist;Composite Leaf