Gender in Music Production
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Gender in Music Production
King, Liesl; Marrington, Mark; Hepworth-Sawyer, Russ; Hodgson, Jay
Taylor & Francis Ltd
04/2020
290
Dura
Inglês
9781138613379
15 a 20 dias
720
Descrição não disponível.
List of Contributors
Chapter 1: Gender In Music Production- An Introduction
Russ Hepworth-Sawyer, Liesl King & Mark Marrington
Part I: History and Context
Chapter 2: Mark Marrington, Women in music production: a contextualized history from the 1890s to the 1980s
Chapter 3: Marco Antonio Juan de Dios Cuartas, The role of women in music production in Spain during the 1960s: Maryni Callejo and the "Brincos Sound"
Chapter 4: Gurutze Lasa Zuzuarregui, The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa
Chapter 5: Rebekka Kill, "Hey boy, hey girl, superstar DJ, here we go..." :exploring the experience of female and non binary DJs in the UK music scene.
Chapter 6: Javier Campos Calvo-Sotelo, She plays the pipe. Galician female bagpipers in the production of local tradition and gender identity
Chapter 7: Kirsty Fairclough, Rare Birds: Prince, Gender and Music Production
Part II: Women in the Studio
Chapter 8: Henrik Marstal, Slamming the door to the recording studio - or leaving it ajar?
Chapter 9: Sergio Pisfil, Interview with Betty Cantor Jackson
Chapter 10: Liesl King, Twists in the Tracks: An interview with singer, composer, and sound producer Aynee Osborn Joujon Roche
Part III: Personal Perspectives
Chapter 11: Svjetlana Bukvich, Women in audio: trends in New York through the perspective of a civil war survivor
Chapter 12: Julianne Regan, Three Pronged Attack: The pincer movement of gender allies, tempered radicals and pioneers.
Chapter 13: Louise M. Thompson, Gender in Music Production: Perspective Through a Female and Feminine Lens
Part IV: Industrial Evolution
Chapter 14: Jude Brereton, Helena Daffern, Kat Young, Michael Lovedee-Turner, Addressing gender equality in Music Production: current challenges, opportunities for change and recommendations
Chapter 15: Sharon Jagger and Helen Turner, The Female Music Producer and the Leveraging of Difference
Chapter 16: Liz Dobson, Conversations in Berlin: discourse on gender, equilibrium and empowerment in audio production
Index
Chapter 1: Gender In Music Production- An Introduction
Russ Hepworth-Sawyer, Liesl King & Mark Marrington
Part I: History and Context
Chapter 2: Mark Marrington, Women in music production: a contextualized history from the 1890s to the 1980s
Chapter 3: Marco Antonio Juan de Dios Cuartas, The role of women in music production in Spain during the 1960s: Maryni Callejo and the "Brincos Sound"
Chapter 4: Gurutze Lasa Zuzuarregui, The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa
Chapter 5: Rebekka Kill, "Hey boy, hey girl, superstar DJ, here we go..." :exploring the experience of female and non binary DJs in the UK music scene.
Chapter 6: Javier Campos Calvo-Sotelo, She plays the pipe. Galician female bagpipers in the production of local tradition and gender identity
Chapter 7: Kirsty Fairclough, Rare Birds: Prince, Gender and Music Production
Part II: Women in the Studio
Chapter 8: Henrik Marstal, Slamming the door to the recording studio - or leaving it ajar?
Chapter 9: Sergio Pisfil, Interview with Betty Cantor Jackson
Chapter 10: Liesl King, Twists in the Tracks: An interview with singer, composer, and sound producer Aynee Osborn Joujon Roche
Part III: Personal Perspectives
Chapter 11: Svjetlana Bukvich, Women in audio: trends in New York through the perspective of a civil war survivor
Chapter 12: Julianne Regan, Three Pronged Attack: The pincer movement of gender allies, tempered radicals and pioneers.
Chapter 13: Louise M. Thompson, Gender in Music Production: Perspective Through a Female and Feminine Lens
Part IV: Industrial Evolution
Chapter 14: Jude Brereton, Helena Daffern, Kat Young, Michael Lovedee-Turner, Addressing gender equality in Music Production: current challenges, opportunities for change and recommendations
Chapter 15: Sharon Jagger and Helen Turner, The Female Music Producer and the Leveraging of Difference
Chapter 16: Liz Dobson, Conversations in Berlin: discourse on gender, equilibrium and empowerment in audio production
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Columbia Princeton Electronic Music Center;sound engineering;Sound And Music Computing;music production;Electronic Dance Music Cultures;audio engineering;BBC Radiophonic Workshop;recording;Feminist Performativity;music technology;RCA Studio;mixing;Rare Birds;mastering;DJ Culture;acoustics;Van Den Hurk;gender studies;Industrial Evolution;women in music;women in audio;Radiophonic Workshop;gender equality;Female DJ.;music history;Recording Studio;gender bias;Female Producer;sexual identity;Music Production Industry;identity politics;Music Production Process;Stem Discipline;Steam Education;UK Creative Industry;Top Secret;Feminine Performativity;Female Piper;Local Tv Program
List of Contributors
Chapter 1: Gender In Music Production- An Introduction
Russ Hepworth-Sawyer, Liesl King & Mark Marrington
Part I: History and Context
Chapter 2: Mark Marrington, Women in music production: a contextualized history from the 1890s to the 1980s
Chapter 3: Marco Antonio Juan de Dios Cuartas, The role of women in music production in Spain during the 1960s: Maryni Callejo and the "Brincos Sound"
Chapter 4: Gurutze Lasa Zuzuarregui, The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa
Chapter 5: Rebekka Kill, "Hey boy, hey girl, superstar DJ, here we go..." :exploring the experience of female and non binary DJs in the UK music scene.
Chapter 6: Javier Campos Calvo-Sotelo, She plays the pipe. Galician female bagpipers in the production of local tradition and gender identity
Chapter 7: Kirsty Fairclough, Rare Birds: Prince, Gender and Music Production
Part II: Women in the Studio
Chapter 8: Henrik Marstal, Slamming the door to the recording studio - or leaving it ajar?
Chapter 9: Sergio Pisfil, Interview with Betty Cantor Jackson
Chapter 10: Liesl King, Twists in the Tracks: An interview with singer, composer, and sound producer Aynee Osborn Joujon Roche
Part III: Personal Perspectives
Chapter 11: Svjetlana Bukvich, Women in audio: trends in New York through the perspective of a civil war survivor
Chapter 12: Julianne Regan, Three Pronged Attack: The pincer movement of gender allies, tempered radicals and pioneers.
Chapter 13: Louise M. Thompson, Gender in Music Production: Perspective Through a Female and Feminine Lens
Part IV: Industrial Evolution
Chapter 14: Jude Brereton, Helena Daffern, Kat Young, Michael Lovedee-Turner, Addressing gender equality in Music Production: current challenges, opportunities for change and recommendations
Chapter 15: Sharon Jagger and Helen Turner, The Female Music Producer and the Leveraging of Difference
Chapter 16: Liz Dobson, Conversations in Berlin: discourse on gender, equilibrium and empowerment in audio production
Index
Chapter 1: Gender In Music Production- An Introduction
Russ Hepworth-Sawyer, Liesl King & Mark Marrington
Part I: History and Context
Chapter 2: Mark Marrington, Women in music production: a contextualized history from the 1890s to the 1980s
Chapter 3: Marco Antonio Juan de Dios Cuartas, The role of women in music production in Spain during the 1960s: Maryni Callejo and the "Brincos Sound"
Chapter 4: Gurutze Lasa Zuzuarregui, The Representation of Women in the Twentieth and Twenty-First Centuries Trikitixa
Chapter 5: Rebekka Kill, "Hey boy, hey girl, superstar DJ, here we go..." :exploring the experience of female and non binary DJs in the UK music scene.
Chapter 6: Javier Campos Calvo-Sotelo, She plays the pipe. Galician female bagpipers in the production of local tradition and gender identity
Chapter 7: Kirsty Fairclough, Rare Birds: Prince, Gender and Music Production
Part II: Women in the Studio
Chapter 8: Henrik Marstal, Slamming the door to the recording studio - or leaving it ajar?
Chapter 9: Sergio Pisfil, Interview with Betty Cantor Jackson
Chapter 10: Liesl King, Twists in the Tracks: An interview with singer, composer, and sound producer Aynee Osborn Joujon Roche
Part III: Personal Perspectives
Chapter 11: Svjetlana Bukvich, Women in audio: trends in New York through the perspective of a civil war survivor
Chapter 12: Julianne Regan, Three Pronged Attack: The pincer movement of gender allies, tempered radicals and pioneers.
Chapter 13: Louise M. Thompson, Gender in Music Production: Perspective Through a Female and Feminine Lens
Part IV: Industrial Evolution
Chapter 14: Jude Brereton, Helena Daffern, Kat Young, Michael Lovedee-Turner, Addressing gender equality in Music Production: current challenges, opportunities for change and recommendations
Chapter 15: Sharon Jagger and Helen Turner, The Female Music Producer and the Leveraging of Difference
Chapter 16: Liz Dobson, Conversations in Berlin: discourse on gender, equilibrium and empowerment in audio production
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Columbia Princeton Electronic Music Center;sound engineering;Sound And Music Computing;music production;Electronic Dance Music Cultures;audio engineering;BBC Radiophonic Workshop;recording;Feminist Performativity;music technology;RCA Studio;mixing;Rare Birds;mastering;DJ Culture;acoustics;Van Den Hurk;gender studies;Industrial Evolution;women in music;women in audio;Radiophonic Workshop;gender equality;Female DJ.;music history;Recording Studio;gender bias;Female Producer;sexual identity;Music Production Industry;identity politics;Music Production Process;Stem Discipline;Steam Education;UK Creative Industry;Top Secret;Feminine Performativity;Female Piper;Local Tv Program
