From Chanson de Geste to Epic Chronicle
-10%
portes grátis
From Chanson de Geste to Epic Chronicle
Medieval Occitan Poetry of War
Gouiran, Gerard; Paterson, Linda
Taylor & Francis Ltd
04/2020
236
Dura
Inglês
9781138493223
15 a 20 dias
453
Descrição não disponível.
Part 1: Women and Saracens in the Occitan chansons de geste; 1. Silhouettes of women in the Occitan and Old French Roland texts; 2. Belauda's garden; 3. Aude, Iphigenia, Polyxena; 4. So dis la donna: 'Oy, bel sira Rollan, mos maritz es en malauer lo gran': Saracens and the Saracen woman in Rollan a Saragossa; 5. The Saracen from the depths of Hell to the gates of salvation; 6. Between Saracens and Christians, or the decapitated horse; Part 2: Aspects of war in Occitan chansons de geste and lyric poetry; 7. Per las lurs armas devon tostemps cantier: intertextuality effects between Ronsasvals and certain lyric planhz; 8. The first appearance of the herald in literature and the early war songs of Bertran de Born; Part 3: The Albigensian Crusade; 9. Drama queen? Worse: a jongleur! - or how to discredit an opponent: the representation of Bishop Fulk of Toulouse, alias Folquet de Marseille, by the anonymous author of the Song of the Albigensian Crusade; 10. The French against Montfort? The war councils held by Simon de Montfort in the second part of the Song of the Albigensian Crusade; 11. The good use of rebellion; 12. The Toulousains cry 'Toulouse!', the Gascons 'Comminges!' ... The Comminges parallels in the Song of the Albigensian Crusade; 13. The troubadour and the lord: history as viewed by the anonymous author of the Song of the Albigensian Crusade; 14. Las Novas del heretje, or who benefits from propaganda?
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Chanson De Toile;Bertran De;Young Man;Gaucelm Faidit;Chanson De Geste;Bone Spur;Saracen Woman;Chevalier De La Charrete;Chanson De;Innocent III;Bertran De Born;Young Count;Superb;Holy Man;Occitan Lyric;Oxford Version;Legitimate Lord;Oxford Text;Bernard IV;Pope Innocent III;Giraut De Bornelh;Grandes Chroniques De France;Raoul De Cambrai;King Marsile;Major Son
Part 1: Women and Saracens in the Occitan chansons de geste; 1. Silhouettes of women in the Occitan and Old French Roland texts; 2. Belauda's garden; 3. Aude, Iphigenia, Polyxena; 4. So dis la donna: 'Oy, bel sira Rollan, mos maritz es en malauer lo gran': Saracens and the Saracen woman in Rollan a Saragossa; 5. The Saracen from the depths of Hell to the gates of salvation; 6. Between Saracens and Christians, or the decapitated horse; Part 2: Aspects of war in Occitan chansons de geste and lyric poetry; 7. Per las lurs armas devon tostemps cantier: intertextuality effects between Ronsasvals and certain lyric planhz; 8. The first appearance of the herald in literature and the early war songs of Bertran de Born; Part 3: The Albigensian Crusade; 9. Drama queen? Worse: a jongleur! - or how to discredit an opponent: the representation of Bishop Fulk of Toulouse, alias Folquet de Marseille, by the anonymous author of the Song of the Albigensian Crusade; 10. The French against Montfort? The war councils held by Simon de Montfort in the second part of the Song of the Albigensian Crusade; 11. The good use of rebellion; 12. The Toulousains cry 'Toulouse!', the Gascons 'Comminges!' ... The Comminges parallels in the Song of the Albigensian Crusade; 13. The troubadour and the lord: history as viewed by the anonymous author of the Song of the Albigensian Crusade; 14. Las Novas del heretje, or who benefits from propaganda?
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Chanson De Toile;Bertran De;Young Man;Gaucelm Faidit;Chanson De Geste;Bone Spur;Saracen Woman;Chevalier De La Charrete;Chanson De;Innocent III;Bertran De Born;Young Count;Superb;Holy Man;Occitan Lyric;Oxford Version;Legitimate Lord;Oxford Text;Bernard IV;Pope Innocent III;Giraut De Bornelh;Grandes Chroniques De France;Raoul De Cambrai;King Marsile;Major Son
