Fashioning Identities in Renaissance Art
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portes grátis
Fashioning Identities in Renaissance Art
Rogers, Mary
Taylor & Francis Ltd
10/2020
256
Mole
Inglês
9781138712812
15 a 20 dias
470
Descrição não disponível.
1. Introduction: Collective identity/individual identity, Joanna Woods-Marsden. 2. A Knight in the Arena: Enrico Scrovegni and his 'true image', Laura Jacobus. 3. Reconstructing Benozzo Gozzoli's Artistic Identity, Francis Ames-Lewis. 4. Patronage and Identity in Renaissance Florence: The case of S. Maria a Lecceto, Jill Burke. 5. Art and Life in Renaissance Italy: A blurring of identities, Rupert Shepherd. 6. A Preface to Signatures (with some cases in Venice), Creighton Gilbert. 7. Fashioning Identities for the Renaissance Courtesan, Mary Rogers. 8. Beauty and Identity in Parmigianino's Portraits, Mary Vaccaro. 9. Problems of Identity in an Age of Change: The Viewer of Art in Renaissance England, Tatiana C. String. 10. Moretto and the Congregation of S. Giorgio in Alga 1540-1550: Fashioning a visual identity of a religious Congregation, Gabriele Neher. 11. 'Ut vita scultura': Cellini's Perseus and the self-fashioning of artistic identity, Victoria C. Gardner Coates. 12. Artists into Heroes: The commemoration of artists in the art of Giorgio Vasari, Joan Stack. 13. 'Cittadin nostro Fiorentino': Michelangelo and Fiorentinismo in mid-sixteenth-century Florence, Frances E. Thomas. 14. The Identity of the Prince: Cosimo de' Medici, Giorgio Vasari and the Ragionamenti, Paola Tinagli. 15. 'Frail fresh, as in a glass': The portrait as an immortal presence in early modern England and Wales, Tarnya Cooper.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Art;Madonna Delle Grazie;Cultural;Water Falling;Fashioning;Boijmans Van Beuningen;Historical;Eleonora Di Toledo;Identites;Home Town;Literature;Christ Child;Renaissance;Museum Boijmans;Protestantism;Accademia Del Disegno;Italian Renaissance art;Accademia Fiorentina;artistic self-fashioning;Religious Congregation;artistic identity;Bindo Altoviti;Sixteenth Century Florence;Benozzo Gozzoli;Ius Patronatus;Florentine Accademia Del Disegno;Sixteenth Century Florentines;Piero Di Cosimo;Sacra Rappresentazione;Male Portrait;Patronage Rights;Giorgio Vasari
1. Introduction: Collective identity/individual identity, Joanna Woods-Marsden. 2. A Knight in the Arena: Enrico Scrovegni and his 'true image', Laura Jacobus. 3. Reconstructing Benozzo Gozzoli's Artistic Identity, Francis Ames-Lewis. 4. Patronage and Identity in Renaissance Florence: The case of S. Maria a Lecceto, Jill Burke. 5. Art and Life in Renaissance Italy: A blurring of identities, Rupert Shepherd. 6. A Preface to Signatures (with some cases in Venice), Creighton Gilbert. 7. Fashioning Identities for the Renaissance Courtesan, Mary Rogers. 8. Beauty and Identity in Parmigianino's Portraits, Mary Vaccaro. 9. Problems of Identity in an Age of Change: The Viewer of Art in Renaissance England, Tatiana C. String. 10. Moretto and the Congregation of S. Giorgio in Alga 1540-1550: Fashioning a visual identity of a religious Congregation, Gabriele Neher. 11. 'Ut vita scultura': Cellini's Perseus and the self-fashioning of artistic identity, Victoria C. Gardner Coates. 12. Artists into Heroes: The commemoration of artists in the art of Giorgio Vasari, Joan Stack. 13. 'Cittadin nostro Fiorentino': Michelangelo and Fiorentinismo in mid-sixteenth-century Florence, Frances E. Thomas. 14. The Identity of the Prince: Cosimo de' Medici, Giorgio Vasari and the Ragionamenti, Paola Tinagli. 15. 'Frail fresh, as in a glass': The portrait as an immortal presence in early modern England and Wales, Tarnya Cooper.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Art;Madonna Delle Grazie;Cultural;Water Falling;Fashioning;Boijmans Van Beuningen;Historical;Eleonora Di Toledo;Identites;Home Town;Literature;Christ Child;Renaissance;Museum Boijmans;Protestantism;Accademia Del Disegno;Italian Renaissance art;Accademia Fiorentina;artistic self-fashioning;Religious Congregation;artistic identity;Bindo Altoviti;Sixteenth Century Florence;Benozzo Gozzoli;Ius Patronatus;Florentine Accademia Del Disegno;Sixteenth Century Florentines;Piero Di Cosimo;Sacra Rappresentazione;Male Portrait;Patronage Rights;Giorgio Vasari