Eroticism in Early Modern Music
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Eroticism in Early Modern Music
Blackburn, Bonnie; Stras, Laurie
Taylor & Francis Inc
10/2017
328
Mole
Inglês
9780815365594
15 a 20 dias
610
Descrição não disponível.
Contents: Preface; Introduction: encoding the musical erotic, Laurie Stras; The lascivious career of B-flat, Bonnie J. Blackburn; Fa mi la mi so la: the erotic implications of solmization syllables, Leofranc Holford-Strevens; Unmasking salacious subtexts in Lasso's Neapolitan songs, Donna G. Cardamone; Imitating the rustic and revealing the noble: masculine power and music at the court of Ferrara, Melanie L. Marshall; 'The Ways' (I Modi) of black-note erotica, Vanessa Blais-Tremblay; 'Non e si denso velo': hidden and forbidden practice in Wert's Ottavo libro de madrigali a cinque voci (Venice: Gardano, 1586), Laurie Stras; 'Lo Here I Burn': musical figurations and fantasies of male desire in early modern England, Linda Phyllis Austern; Ovid's ironic gaze: voyeurism, rape, and male desire in Cavalli's La Calisto, Wendy Heller; 'Precious' eroticism and hidden morality: salon culture and the mid-17th-century French air, Catherine Gordon-Seifert; Eroticized mourning in Henry Purcell's Elegy for Mary II, O dive custos, Alan Howard; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
leofranc;holford-strevens;istitutioni;harmoniche;italian;madrigal;solmization;syllables;cipriano;rore;Young Men;Mi Fa;Leofranc Holford Strevens;Ste Mane;DPG.;Perissone Cambio;Carte De Tendre;Ti Ti;Corpus Scriptorum De Musica;Angelo Beolco;Cipriano De Rore;Act III;La La;Cinque Voci;La La La;Note Nere;Early Modern Music;Enharmonic Genera;Female Poetic Voice;Male Poetic Voice;Pope Paul III;Paul III;Le Istitutioni Harmoniche;Dulwich Picture Gallery;Parker's Text
Contents: Preface; Introduction: encoding the musical erotic, Laurie Stras; The lascivious career of B-flat, Bonnie J. Blackburn; Fa mi la mi so la: the erotic implications of solmization syllables, Leofranc Holford-Strevens; Unmasking salacious subtexts in Lasso's Neapolitan songs, Donna G. Cardamone; Imitating the rustic and revealing the noble: masculine power and music at the court of Ferrara, Melanie L. Marshall; 'The Ways' (I Modi) of black-note erotica, Vanessa Blais-Tremblay; 'Non e si denso velo': hidden and forbidden practice in Wert's Ottavo libro de madrigali a cinque voci (Venice: Gardano, 1586), Laurie Stras; 'Lo Here I Burn': musical figurations and fantasies of male desire in early modern England, Linda Phyllis Austern; Ovid's ironic gaze: voyeurism, rape, and male desire in Cavalli's La Calisto, Wendy Heller; 'Precious' eroticism and hidden morality: salon culture and the mid-17th-century French air, Catherine Gordon-Seifert; Eroticized mourning in Henry Purcell's Elegy for Mary II, O dive custos, Alan Howard; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
leofranc;holford-strevens;istitutioni;harmoniche;italian;madrigal;solmization;syllables;cipriano;rore;Young Men;Mi Fa;Leofranc Holford Strevens;Ste Mane;DPG.;Perissone Cambio;Carte De Tendre;Ti Ti;Corpus Scriptorum De Musica;Angelo Beolco;Cipriano De Rore;Act III;La La;Cinque Voci;La La La;Note Nere;Early Modern Music;Enharmonic Genera;Female Poetic Voice;Male Poetic Voice;Pope Paul III;Paul III;Le Istitutioni Harmoniche;Dulwich Picture Gallery;Parker's Text
