Drawing as Performance
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portes grátis
Drawing as Performance
Theatrical Games and Techniques for Visual Artists
Orbach, Orly
Taylor & Francis Ltd
12/2018
268
Dura
Inglês
9781138086142
15 a 20 dias
657
Descrição não disponível.
Introduction
Chapter 1
There's no such thing as a still life: Image making as a rehearsal process
Chapter 2
Drawing from experience: The artist as Model
Chapter 3
Drawing, Hunting, Praying: Capturing and responding to movement
Chapter 4
Sound - Action - Image: Acting out typography
Chapter 5
Image-making in public spaces: The streets as immersive theatre
Chapter 6
Re-evalutating the 'Crit': The drama of giving and receiving feedback
Chapter 7
Making the most of misunderstandings: Between intention and interpretation
Chapter 1
There's no such thing as a still life: Image making as a rehearsal process
Chapter 2
Drawing from experience: The artist as Model
Chapter 3
Drawing, Hunting, Praying: Capturing and responding to movement
Chapter 4
Sound - Action - Image: Acting out typography
Chapter 5
Image-making in public spaces: The streets as immersive theatre
Chapter 6
Re-evalutating the 'Crit': The drama of giving and receiving feedback
Chapter 7
Making the most of misunderstandings: Between intention and interpretation
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Gender Neutral Toilet;Art as rehearsal;Tucker Green;Failure in art;Picture Merge;Improvisation;Vice Versa;Creative process;Nueva Vizcaya;Drawing from experience;Fairy Tales;Typography;Flattened Cardboard Boxes;Crit;Calligraphy Brushes;Critique;Liminal Social Space;Image-making process;Northwest British Columbia;Drawing;Feedback Sandwich;illustration;Story Trail;theatrical games;Scenario Card;rehearsal techniques;Drifting Symbols;communicative images;Environmental Anthropology;visual artists;Theatrical Co-production;Life Drawing Class;Stock Characters;Tableaux Vivants;Public Artworks;Character Card;Paper Balls;Bad Cop;Teddy Bear;Common Language
Introduction
Chapter 1
There's no such thing as a still life: Image making as a rehearsal process
Chapter 2
Drawing from experience: The artist as Model
Chapter 3
Drawing, Hunting, Praying: Capturing and responding to movement
Chapter 4
Sound - Action - Image: Acting out typography
Chapter 5
Image-making in public spaces: The streets as immersive theatre
Chapter 6
Re-evalutating the 'Crit': The drama of giving and receiving feedback
Chapter 7
Making the most of misunderstandings: Between intention and interpretation
Chapter 1
There's no such thing as a still life: Image making as a rehearsal process
Chapter 2
Drawing from experience: The artist as Model
Chapter 3
Drawing, Hunting, Praying: Capturing and responding to movement
Chapter 4
Sound - Action - Image: Acting out typography
Chapter 5
Image-making in public spaces: The streets as immersive theatre
Chapter 6
Re-evalutating the 'Crit': The drama of giving and receiving feedback
Chapter 7
Making the most of misunderstandings: Between intention and interpretation
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Gender Neutral Toilet;Art as rehearsal;Tucker Green;Failure in art;Picture Merge;Improvisation;Vice Versa;Creative process;Nueva Vizcaya;Drawing from experience;Fairy Tales;Typography;Flattened Cardboard Boxes;Crit;Calligraphy Brushes;Critique;Liminal Social Space;Image-making process;Northwest British Columbia;Drawing;Feedback Sandwich;illustration;Story Trail;theatrical games;Scenario Card;rehearsal techniques;Drifting Symbols;communicative images;Environmental Anthropology;visual artists;Theatrical Co-production;Life Drawing Class;Stock Characters;Tableaux Vivants;Public Artworks;Character Card;Paper Balls;Bad Cop;Teddy Bear;Common Language
