Class, Gender, and Sexuality in Thomas Gainsborough's Blue Boy
-10%
portes grátis
Class, Gender, and Sexuality in Thomas Gainsborough's Blue Boy
Hedquist, Valerie
Taylor & Francis Ltd
08/2019
202
Dura
Inglês
9781138543423
15 a 20 dias
622
Descrição não disponível.
Introduction; Chapter 1 Private Beginnings, Public Performances; Chapter 2 The Blue Boy from Gainsborough's Showroom to Grosvenor's Picture Gallery; Chapter 3 Public Recognition; Chapter 4 Reproducing The Blue Boy; Chapter 5 Farewell to England; Chapter 6 Welcome to America; Chapter 7 Changing Roles for The Blue Boy; Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Blue Boy;Greek Street;Britain;George Stubbs;England;Snake Plant;United Kingdom;Young Man;heterosexual;Sir Philip Sassoon;sexuality;Gainsborough's Painting;masculinity;Art Treasures Exhibition;gender;George III;gender studies;Van Dyckian;feminization;Art Treasures Examiner;pride;Grosvenor House;queer;English Manliness;gay;Django Unchained;activism;Gazette Des Beaux Arts;LGBT;Manchester Art Treasures Exhibition;sexuality studies;Thomas Gainsborough;British art;Royal Academy;art history;visual culture;The Blue Boy;reception;performativity;queer studies;painting;portrait;film studies;film;national identity;royalty;aristocracy;London;America;United States;painted youth;gender identities;dominant and subordinate classes;sexual acts;Gainsborough's painting
Introduction; Chapter 1 Private Beginnings, Public Performances; Chapter 2 The Blue Boy from Gainsborough's Showroom to Grosvenor's Picture Gallery; Chapter 3 Public Recognition; Chapter 4 Reproducing The Blue Boy; Chapter 5 Farewell to England; Chapter 6 Welcome to America; Chapter 7 Changing Roles for The Blue Boy; Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Blue Boy;Greek Street;Britain;George Stubbs;England;Snake Plant;United Kingdom;Young Man;heterosexual;Sir Philip Sassoon;sexuality;Gainsborough's Painting;masculinity;Art Treasures Exhibition;gender;George III;gender studies;Van Dyckian;feminization;Art Treasures Examiner;pride;Grosvenor House;queer;English Manliness;gay;Django Unchained;activism;Gazette Des Beaux Arts;LGBT;Manchester Art Treasures Exhibition;sexuality studies;Thomas Gainsborough;British art;Royal Academy;art history;visual culture;The Blue Boy;reception;performativity;queer studies;painting;portrait;film studies;film;national identity;royalty;aristocracy;London;America;United States;painted youth;gender identities;dominant and subordinate classes;sexual acts;Gainsborough's painting
