Artistic Circulation between Early Modern Spain and Italy

Artistic Circulation between Early Modern Spain and Italy

Helmstutler Di Dio, Kelley; Mozzati, Tommaso

Taylor & Francis Ltd

02/2020

254

Dura

Inglês

9781138605817

15 a 20 dias

453

Descrição não disponível.
Introduction

[Kelley Helmstutler Di Dio and Tommaso Mozzati]

1. Domenico Fancelli and the tomb of the Catholic Kings: Carrara, Italian Wars and the Spanish Renaissance

[Michela Zurla]

2. The Tomb of Bishop Alonso de Madrigal ("El Tostado") in the Cathedral of Avila - The Monumentalizing of the "Autorbild"

[Johannes Roell]

3. Architecture for the retablo between Spain and Italy: on the work of Jacopo L'Indaco, Alonso Berruguete and Diego de Siloe (1520-1530)

[Carlos Plaza]

4. An Italian Fountain for the Emperor: The Fuente del Aguila (1539)

[Maria Jose Redondo Cantera]

5. Michelangelo Re-read: A Note on the Reception of his Pictorial Language in the Spanish Sculpture of the Second Half of the Sixteenth Century

[Manuel Arias Martinez]

6. Circulation of Sculpture Across the Spanish Empire: The Case of Martino Regio's Genoese Workshop and the Multiple Variations of His Name

[Fernando Loffredo]

7. Ribera's Northern Italian Nexus

[Lisandra Estevez]

8. Courtiers, Compasses, Fables and Dictionaries: Italian Books in the Collections of Velazquez, Carducho and Guerra Coronel

[Marta Cacho Casal]

9. Guido Reni's Influence in Seville through Originals, Copies, and Prints

[Rafael Japon]

10. Some Spanish Paintings in Florentine Collections: The Legacy of the Iberian Journey of Cosimo III de' Medici

[Miguel Tain Guzman]
Assunto não disponível.
Museo De Historia De Madrid;King John III;art history;Fernando III;early modern art;Young Man;Italian art;Philip III;Spanish art;Isabel La;Italy;Christ Child;Spain;Cosimo Iii;Renaissance;Capilla Real;early modern;Museo De Bellas Artes;Habsburgs;Fuente Del;Iberian peninsula;Alonso Berruguete;Iberia;Sacro Monte;exchange;Vicente Carducho;convergence;Marian Churches;artists;Gabinetto Dei Disegni;collection;Amador De Los;display;Guido Reni;courts;Galleria Palatina;painting;Pope Paul III;church decoration;Antonio Del Pollaiuolo;funerary monuments;Jacopo Sansovino;Tuscany;Giuliano Da Sangallo;Florence;Galleria Degli Uffizi;Madrid;Academia Real De Bellas Artes;Milan;Naples;Domenico Fancelli;tombs;Avila;architecture;sculpture;Michelangelo;Velazquez;Carducho;Seville;Cosimo III de' Medici;Italy's artistic ideals;artistic models;Spain's culture;treatises on painting;triumphal ephemera