Archival Storytelling

Archival Storytelling

A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music

Rabin, Kenn; Bernard, Sheila Curran

Taylor & Francis Ltd

05/2020

328

Mole

Inglês

9781138915039

15 a 20 dias

260

Acknowledgments

CHAPTER 1 Introduction

PART 1 * ABOUT ARCHIVAL MATERIALS

CHAPTER 2 Still and motion picture photography: a brief history

CHAPTER 3 Recorded sound: a brief history

CHAPTER 4 User beware: evaluating the archival record

CHAPTER 5 Evidence on film: A conversation with Rick Prelinger

PART 2 * working with ARCHIVAL MATERIALS

CHAPTER 6 Finding what you need

CHAPTER 7 Should you hire a professional?

CHAPTER 8 Organizing and ordering third-party materials

CHAPTER 9 Creative and ethical considerations

CHAPTER 10 The power of eyewitness accounts: A conversation with Roberta Grossman

PART 3 * RIGHTS AND LICENSES

CHAPTER 11 Introduction to rights and licenses

CHAPTER 12 Public domain

CHAPTER 13 Fair use

CHAPTER 14 Fair dealing, moral rights, and more: A conversation with Hubert Best

CHAPTER 15 Licensing visuals

CHAPTER 16 Licensing music

PART 4 * Additional Material

CHAPTER 17 Afterword
About the authors

Index
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Au Clair De La Lune;rick;National Library;prelinger;Farm Security Administration;material;Smart Phone;copyright;American Public Television;law;Peter Jaszi;intellectual;Archival Storytelling;property;Motion Picture Footage;national;Oyneg Shabes;archives;Shabes;term;Motion Picture;intellectual property experts;Playback;Appearance Release;rights-protected images;Commercial Archives;Copyright Office;MIT OpenCourseWare;Rick Prelinger;DVD Box Set;WB Music;Royalty Free Images;Lu Lu;Home Movies;Educational Material;George Washington High School;Compulsory License